rhythm guitar from “what's up?” by 4 non blondes | ToneDB
what's up?
4 non blondes
rhythm guitar
Tone Profile
A bright and punchy rhythm guitar tone that is raw but full, with a slight edge that cuts through the mix, providing a strong foundation for the song's energetic vibe. It sounds like a direct guitar amp with little processing.
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The Story
The rhythm guitar tone on 4 Non Blondes' "What's Up?" was recorded by guitarist Roger Rocha at The Plant Studios in Sausalito, California, with producer David Tickle. According to Premier Guitar, Rocha used a Gibson Les Paul through a Mesa/Boogie Dual Rectifier amplifier, with the signal captured using a Shure SM57 microphone. The sound was kept deliberately raw and direct with minimal processing to maintain the amp's natural character.
Production Credits
Producer: David Tickle
Engineer: Unknown
Recorded at: The Plant Studios, Sausalito, CA
Signal Chain
Instrument: Gibson Les PaulShop on Reverb
Amp: Mesa/Boogie Dual RectifierShop on Reverb
Microphone: Shure SM57Shop on Reverb
Recreation Tips
- Start with a Gibson Les Paul style guitar into a Mesa/Boogie amplifier for a similar high-gain foundation.
- Use a Shure SM57 close to the speaker cone, slightly off-axis, to capture the amp's raw sound.
- Focus on amp settings for tone shaping: gain staging, EQ, and presence to achieve the desired edge and clarity.
- Avoid excessive post-processing; subtle EQ adjustments can refine the tone without masking the amp's character.
Original Gear
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Substitutions & Recommendations
Alternative to: Gibson Les Paul
Provides the humbucker pickup warmth and sustain of a Les Paul at a budget price, essential for this full yet punchy rhythm tone
Alternative to: Mesa/Boogie Dual Rectifier
Delivers similar high-gain Mesa-style saturation and punch in a more affordable and compact package
Alternative to: Mesa/Boogie Dual Rectifier
Accurately models Mesa/Boogie Dual Rectifier tones with the raw, unprocessed character needed for this direct guitar sound
Alternative to: Shure SM57
The same microphone used on the original recording, still the industry standard for capturing punchy guitar cabinet tones
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