rhythm guitar from “wake up” by arcade fire | ToneDB

wake up

arcade fire

rhythm guitar

85% ai confidence

Tone Profile

A powerful, anthemic rhythm guitar sound featuring gritty, overdriven chords from a Les Paul into a Fender amp, defined by its immense space from studio plate or hall reverb.

Signal Chain

Instrument: Gibson Les Paul Custom (Black)

Amp: Fender Twin Reverb

Microphone: Shure SM57

Processing: ProCo RAT (for overdrive), Studio Reverb (e.g., EMT 140 Plate, AKG BX-10 Spring, or Lexicon PCM70 Hall)

Other: Likely double-tracked for width. The amp was close-miked, possibly with a room mic blended in. Reverb was primarily high-quality studio units added during the mixing stage.

Recording Notes

  • Recorded at Hotel2Tango in Montreal, primarily engineered by Mark Lawson and the band.
  • Win Butler, the primary songwriter and guitarist, often used his Gibson Les Paul Custom through a Fender Twin Reverb for the album 'Funeral'.
  • The spacious, epic sound heavily relies on high-quality studio reverbs like the EMT 140 plate, AKG BX-10 spring, or digital units like the Lexicon PCM70, applied during mixing.
  • The song features multiple guitar layers, but the main rhythm part provides a strong, driving foundation.
  • Performances were captured with a focus on energy and emotional delivery, contributing to the anthemic quality.

Recreation Tips

  • Use a humbucker-equipped guitar, such as a Gibson Les Paul or similar.
  • Set your amplifier (ideally a Fender Twin Reverb or similar clean, high-headroom amp) to be mostly clean or at the very edge of breakup.
  • Employ an overdrive pedal like a ProCo RAT (or similar versatile overdrive/distortion) for the main grit. Dial in enough gain for sustain and power, but ensure chord voicings remain relatively clear.
  • The reverb is crucial: use a high-quality plate or hall reverb. If using plugins, emulations of EMT plates or Lexicon hall reverbs are ideal. Set a long decay time and a generous mix level.
  • Consider double-tracking the rhythm guitar part and panning each take slightly to the left and right to achieve a wider, fuller sound.
  • Focus on strong, consistent strumming, particularly downstrokes for the main driving sections, to capture the song's energy.