lead guitar from “all the small things” by blink-182 | ToneDB
all the small things
blink-182
lead guitar
Tone Profile
Bright and punchy with a slightly overdriven character, perfect for pop-punk power chords and catchy lead lines. It's got a good amount of clarity and a touch of aggression.
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The Story
The lead guitar on "All The Small Things" was recorded at Signature Sound Recording in San Diego with producer Jerry Finn. Tom DeLonge used a Fender Stratocaster through a Mesa/Boogie Dual Rectifier amplifier, with the sound captured using a Shure SM57 microphone on the cabinet. The signal chain likely included both the direct input and miked amplifier to achieve the bright, punchy pop-punk tone characteristic of blink-182's sound.
Production Credits
Producer: Jerry Finn
Engineer: Sean O'Dwyer
Recorded at: Signature Sound Recording (San Diego, CA)
Signal Chain
Instrument: Fender StratocasterShop on Reverb
Amp: Mesa/Boogie Dual RectifierShop on Reverb
Microphone: Shure SM57Shop on Reverb
Recreation Tips
- Start with a bright-sounding guitar like a Stratocaster or Telecaster.
- Use a high-gain amp like a Mesa/Boogie Rectifier to get the basic drive tone.
- Experiment with different overdrive and distortion pedals to fine-tune the character of the distortion.
- Use a dynamic microphone like an SM57 to capture the amp's tone.
- Apply EQ to shape the tone and remove any unwanted frequencies.
- Use compression to add sustain and punch to the guitar signal.
Original Gear
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Substitutions & Recommendations
Alternative to: Mesa/Boogie Dual Rectifier
Budget option that can deliver similar high-gain distortion characteristics with bright, aggressive midrange perfect for pop-punk
Alternative to: Mesa/Boogie Dual Rectifier
15-watt tube head with similar high-gain voicing and brightness that works well for recording pop-punk tones
Alternative to: Mesa/Boogie Dual Rectifier
Digital recreation of Mesa/Boogie Rectifier tones with built-in cabinet simulation, perfect for direct recording
Alternative to: Fender Stratocaster
Affordable Stratocaster with single-coil pickups that provides the bright, cutting tone needed for pop-punk leads
Alternative to: Shure SM57
The exact same microphone used on the original recording, still the industry standard for recording guitar amplifiers
Sources
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