piano from “clocks” by coldplay | ToneDB

clocks

coldplay

piano

95% ai confidence

Tone Profile

A bright, resonant, and rhythmically driving upright piano sound, characterized by its clear arpeggiated melody and spacious ambient texture.

Signal Chain

Instrument: Yamaha Upright Piano (U-Series, e.g., U3)

Amp: N/A - Acoustic Instrument

Microphone: Neumann U87 and AKG C414

Processing: SSL G-Series Console EQ, SSL G-Series Console Compressor, Lexicon 480L Reverb (Hall/Plate setting), TC 2290 Delay (Subtle Stereo/Quarter Note setting)

Other: One mic (U87) placed over the hammers, another (C414) at the back of the piano over the soundboard. Signals blended. Sustain pedal used extensively.

Recording Notes

  • The iconic riff is a three-note arpeggio (E♭, B♭, G in the key of E♭ Mixolydian, or D, A, F# if considering the common transposition to D major for guitarists) played with the right hand, with the left hand typically playing octaves of the root notes.
  • Recorded at Mayfair Studios (London) and Parr Street Studios (Liverpool) for the album 'A Rush of Blood to the Head'.
  • The piano sound is central to the song's arrangement, providing the main harmonic and rhythmic drive.
  • Extensive use of the sustain pedal contributes to the legato, flowing, and resonant quality of the piano.
  • The performance is precise and metronomic, emphasizing the hypnotic, clock-like nature of the riff.

Recreation Tips

  • Use a high-quality sample or VST of a bright upright piano; Yamaha U-series samples are ideal.
  • Practice playing the arpeggiated riff cleanly and evenly. The rhythmic precision is key to the sound.
  • Apply a generous hall or large plate reverb with a decay time of approximately 2-3 seconds to create space.
  • Add a subtle stereo delay (e.g., ping-pong or a simple quarter-note delay synced to tempo), mixed low, to enhance width and rhythmic feel without cluttering the arpeggio.
  • Use EQ to boost high-mid frequencies (around 2-5kHz) for clarity and brightness, and gently cut low-mids (200-500Hz) if muddiness occurs.
  • Apply light compression to even out dynamics and help the piano sit prominently in the mix, ensuring the attack remains punchy.