lead guitar from “born on the bayou” by creedence clearwater revival | ToneDB

born on the bayou

creedence clearwater revival

lead guitar

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Tone Profile

A gritty, swamp-rock lead tone defined by its deep, pulsating amp tremolo and a raw, biting edge, characteristic of early Creedence Clearwater Revival.

Signal Chain

Instrument: Rickenbacker 325 Electric Guitar (with "Toaster" single-coil pickups)

Amp: Kustom K200A-4 head with Kustom 2x12 or 2x15 cabinet (often with Jensen or CTS speakers, JBLs optional)

Microphone: Shure SM57

Processing: Kustom amp's built-in optical tremolo, Kustom amp's built-in reverb (subtle)

Other: Tremolo set to a moderate speed (around 5-7 Hz) and high depth. Bridge pickup primarily used for the signature riff and lead fills. Guitar volume and tone knobs likely used to shape the sound.

Recording Notes

  • Recorded in late 1968 at RCA Studio A, Hollywood, for the 'Bayou Country' album.
  • The distinctive optical tremolo from the Kustom amplifier is a core sonic signature of the track.
  • John Fogerty's aggressive picking style and use of finger vibrato contributed significantly to the raw energy of the sound.
  • Minimal studio effects beyond the amp's capabilities were typically used on Fogerty's guitar parts during this era.
  • The guitar tone is relatively dry, allowing the amp's character and tremolo to be prominent in the mix.

Recreation Tips

  • Use a Rickenbacker 325 or a similar short-scale guitar with bright single-coil pickups.
  • If a Kustom K200 amp isn't available, aim for a solid-state amp with a clean-to-slightly-gritty tone and pair it with a high-quality optical tremolo pedal.
  • Set the tremolo depth high and the speed to a medium-fast pulse (approximately 5-7 cycles per second).
  • Primarily use the bridge pickup for maximum bite and clarity, especially for the main riff.
  • Add a subtle touch of spring reverb to create a sense of space, but ensure the tremolo remains the dominant effect.
  • Employ an aggressive pick attack and experiment with slight string bends and finger vibrato to emulate Fogerty's playing style.