What synthesizer was used on Girls Just Want to Have Fun?

The main synth sound was created using a Roland Juno-106 synthesizer. This analog polysynth was popular in the 1980s and provided the bright, chorus-laden sound characteristic of the track.

How to get Cyndi Lauper Girls Just Want to Have Fun synth sound?

Start with a sawtooth wave on a Juno-106 or similar synth, apply the built-in chorus effect, and use a resonant low-pass filter. Set the envelope for a plucky attack with moderate decay to get the percussive quality heard in the song.

What settings did they use on the Juno-106 for Girls Just Want to Have Fun?

While the exact patch settings haven't been documented, the sound uses sawtooth oscillators with the Juno's characteristic chorus effect engaged. The filter envelope would have a quick attack and moderate decay for the plucky, rhythmic character.

Who produced Girls Just Want to Have Fun by Cyndi Lauper?

The song was produced by Rick Chertoff and engineered by William Wittman. It was recorded at Record Plant Studios in New York during sessions for Lauper's debut album "She's So Unusual."

Can you recreate Girls Just Want to Have Fun synth sound with modern gear?

Yes, you can recreate this sound using Roland's JU-06A hardware or various software emulations like Arturia's Jun-6 V plugin. The key is having access to the Juno-106's characteristic oscillator sound and built-in chorus effect.

synth from "girls just want to have fun" by cyndi lauper

girls just want to have fun

cyndi lauper

synth

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Tone Profile

The synth sound is bright, playful, and slightly quirky, fitting the upbeat and fun nature of the song. It has a clean, almost digital quality, with a slight melodic and rhythmic pulse.

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Roland Juno-106(instrument)

The Story

The main synth sound on Cyndi Lauper's "Girls Just Want to Have Fun" was created using a Roland Juno-106 synthesizer. The track was recorded at Record Plant Studios in New York with producer Rick Chertoff and engineer William Wittman. The Juno-106's built-in chorus effect contributed to the characteristic swirling quality, while the synth's analog oscillators and filter gave it the bright, playful character that defined the song's upbeat sound.

Production Credits

Producer: Rick Chertoff

Engineer: William Wittman

Recorded at: Record Plant Studios (New York)

Signal Chain

Instrument: Roland Juno-106Shop on Reverb

Recreation Tips

Start with a sawtooth or square wave on your chosen synthesizer.
Use a resonant low-pass filter to shape the tone and add some movement.
Apply a chorus effect to thicken the sound and give it a swirling quality.
Adjust the attack and decay settings to create a percussive, plucky sound.
Experiment with different LFO modulation settings to add subtle movement and interest to the synth line.

Original Gear

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Roland Juno-106Shop on Reverb(synth)