pads from “space oddity” by david bowie | ToneDB

space oddity

david bowie

pads

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Tone Profile

Ethereal and melancholic, these iconic pads provide a swirling, slightly unstable string-like texture, crucial for the song's otherworldly atmosphere. The sound is characterized by its slow attack and the distinctive warble of the Mellotron.

Signal Chain

Instrument: Mellotron MkII

Amp: Direct Input to Trident Studios Helios Console

Processing: Manual volume swells (fader riding or volume pedal), Studio Plate Reverb (e.g., EMT 140), Console EQ (subtle shaping)

Other: '3 Violins' tape set. Inherent tape wow & flutter. Rick Wakeman's performance style.

Recording Notes

  • Recorded in June-July 1969 at Trident Studios, London.
  • Produced by Gus Dudgeon and engineered by Ken Scott.
  • The iconic Mellotron parts were performed by Rick Wakeman.
  • The Mellotron used was a MkII model, loaded with the '3 Violins' tape set.
  • The instrument was recorded direct into the studio's Helios mixing console.
  • The distinct wobbly and slightly melancholic sound is characteristic of the Mellotron's tape-replay mechanism.

Recreation Tips

  • Use a high-quality Mellotron emulation (e.g., GForce M-Tron Pro, Arturia Mellotron V) or samples, specifically the '3 Violins' or 'String Section' sound.
  • Recreate slow attack and release characteristics, possibly using a volume pedal or MIDI CC automation for expressive swells.
  • Apply a lush plate or hall reverb (e.g., Valhalla VintageVerb, UAD EMT 140) to create a spacious, otherworldly feel.
  • Subtle pitch modulation (LFO) or dedicated wow/flutter plugins can enhance the vintage tape character.
  • Avoid over-processing; the slightly imperfect, organic sound of the Mellotron is key.
  • Consider layering two slightly detuned Mellotron tracks panned apart for a wider, richer texture.