lead guitar from “cliffs of dover” by eric johnson | ToneDB
cliffs of dover
eric johnson
lead guitar
AI generatedv1.0
Tone Profile
The lead guitar tone is known for its smooth, violin-like sustain and singing quality, achieved through a combination of overdrive and compression. It's a highly sought-after sound known for its clarity and responsiveness.
Gear
- Fender Stratocasterinstrument
- ReverbSweetwater
- Marshall 1959 SLPamp
- ReverbSweetwater
- Shure SM57microphone
- ReverbSweetwater
- Ibanez Tube Screamer TS808processing
- Reverb$120Sweetwater
- TC Electronic Stereo Chorus Flangerprocessing
- Reverb$285Sweetwater
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The Story
The lead guitar tone on 'Cliffs of Dover' was created using Eric Johnson's vintage Fender Stratocaster through a Marshall 1959 SLP head, with an Ibanez Tube Screamer TS808 providing smooth overdrive and a TC Electronic Stereo Chorus Flanger adding width. The track was recorded at Arlyn Studios in Austin, TX with engineer Richard Mullen capturing the sound with a Shure SM57 microphone.
Production Credits
Producer: Eric Johnson
Engineer: Richard Mullen
Recorded at: Arlyn Studios, Austin, TX
Signal Chain
Instrument: Fender Stratocaster
Amp: Marshall 1959 SLP
Microphone: Shure SM57
Processing: Ibanez Tube Screamer TS808, TC Electronic Stereo Chorus Flanger
Recreation Tips
- Start with a clean amp sound and gradually add gain from the Tube Screamer to achieve a smooth overdrive.
- Experiment with different chorus settings to find the right amount of width and movement.
- Use a compressor to even out the dynamics and add sustain.
- Pay attention to your picking technique, as it greatly influences the articulation and clarity of the notes.
- Consider using multiple amps to create a more complex and layered sound.
Original Gear
- Fender Stratocaster(guitar)
- Marshall 1959 SLP(amp)
- Ibanez Tube Screamer TS808(pedal)
- TC Electronic Stereo Chorus Flanger(pedal)
- Shure SM57(mic)
Substitutions & Recommendations
Alternative to: Marshall 1959 SLP head
Provides the smooth Marshall-style breakup and sustain at manageable volumes when used with a clean amp
ReverbSweetwaterAlternative to: Ibanez Tube Screamer TS808
Exact modern reissue of the original pedal Johnson used for his signature smooth overdrive
ReverbSweetwaterAlternative to: TC Electronic Stereo Chorus Flanger
Provides the subtle stereo widening effect essential to Johnson's spacious lead tone
ReverbSweetwaterAlternative to: Marshall 1959 SLP and recording setup
Includes high-quality Marshall-style amp modeling with built-in effects for recreating the complete signal chain
ReverbSweetwaterAlternative to: Full vintage rig
Modern tube head with plexi-style voicing that responds well to Tube Screamer overdrive pedals
ReverbSweetwaterSources
Frequently Asked Questions
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