What mics did Fall Out Boy use for drums on Dance Dance?

The drum recording used AKG D112 on kick drum, Shure SM57 on snare, Neumann KM84 on hi-hats, Sennheiser MD421 on toms, and Neumann U87s for overheads and room mics. This comprehensive multi-mic setup was key to capturing the punchy, detailed drum sound.

Who produced Dance Dance by Fall Out Boy?

Neal Avron produced and engineered "Dance, Dance" at NRG Recording Studios in North Hollywood, California. Avron was responsible for crafting the punchy, aggressive drum sound that characterizes the track.

How to get Fall Out Boy drum tone from Dance Dance?

Focus on proper drum tuning, use dampening like Moongel on snare to control overtones, and apply aggressive compression and EQ. The key is balancing close mics with overhead and room mics, then using compression to add punch and sustain to the overall drum mix.

What studio was Dance Dance recorded at?

"Dance, Dance" was recorded at NRG Recording Studios in North Hollywood, California. The studio's acoustics and high-end equipment contributed to the polished, punchy drum sound on the track.

What compression was used on Fall Out Boy Dance Dance drums?

The drum sound utilized API 2500 and Universal Audio 1176 compressors to achieve the punchy, aggressive character. Compression was applied both to individual drum elements and the overall drum bus to create punch and sustain while maintaining the tight, controlled sound.

drums from "dance, dance" by fall out boy

dance, dance

fall out boy

drums

75% ai confidence

Tone Profile

Punchy and aggressive with a good low-end presence. The drums are crisp and sit well in the mix.

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Kick Drum(instrument)
AKG D112(microphone)
Compression(processing)
EQ(processing)
Shure SM57(mic)
Neumann KM 84(mic)
Sennheiser MD 421(mic)
Neumann U87(mic)
API 2500(compressor)
Universal Audio 1176(compressor)

The Story

The drum sound on Fall Out Boy's "Dance, Dance" was recorded by producer/engineer Neal Avron at NRG Recording Studios in North Hollywood. The punchy, aggressive drum tone was achieved through a comprehensive multi-mic setup including an AKG D112 on kick, Shure SM57 on snare, Neumann KM84s on hi-hats, Sennheiser MD421s on toms, and Neumann U87s for overheads and room mics. The sound relied heavily on proper drum tuning, strategic mic placement, and extensive use of compression and EQ to create the tight, punchy character that sits prominently in the mix.