pads from “dreams” by fleetwood mac | ToneDB

dreams

fleetwood mac

pads

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Tone Profile

A warm, swirling, and ethereal organ-based pad that provides a dreamy, atmospheric foundation to the track. It's characterized by the rich harmonics of a Hammond organ and the gentle, enveloping movement of a Leslie speaker, possibly subtly enhanced by a string synthesizer.

Signal Chain

Instrument: Hammond B3 Organ

Amp: Leslie 122 or 147 Speaker Cabinet

Microphone: Neumann U67 (on top/horn), Sennheiser MD 421 (on bottom/rotor)

Processing: Leslie Speaker (Chorale/Slow Speed), Studio Plate Reverb (e.g., EMT 140)

Other: Key drawbar settings for a mellow pad (e.g., 888000000 or similar, with percussion off or soft). The sound may have been subtly layered with a vintage string synthesizer (e.g., ARP String Ensemble or Solina String Ensemble) for added sheen and sustain, typically recorded Direct Input (DI).

Recording Notes

  • Christine McVie played the Hammond B3 organ, which was a central part of her keyboard setup.
  • The Leslie speaker, set to its slow 'Chorale' speed, is crucial for the signature swirling, ethereal quality of the pads.
  • According to engineer Ken Caillat (via Mix Magazine), the Leslie was miked with a Neumann U67 on the top (capturing the rotating horn) and a Sennheiser MD 421 on the bottom (capturing the bass rotor).
  • The recordings for the 'Rumours' album took place at various high-end studios, including the Record Plant in Sausalito, ensuring access to quality recording equipment and acoustics.
  • A high-quality studio plate reverb, such as an EMT 140, was likely added during the mixing stage to give the pads space and depth.
  • While the Hammond B3 is the primary source of the pad sound, it's possible it was subtly layered with a string synthesizer (like an ARP String Ensemble or Solina String Ensemble) to enhance its richness and sustain, a common technique for the era.

Recreation Tips

  • Use a high-quality Hammond B3 emulation (software or hardware) paired with an accurate Leslie speaker cabinet simulation.
  • Set the Leslie simulator to its slowest speed (often labeled 'Chorale').
  • Experiment with drawbar settings. A good starting point for a warm pad is '888000000' (the first three drawbars fully extended). Ensure percussion is turned off or set to be very soft and with slow decay to maintain a smooth pad texture.
  • Add a lush plate reverb emulation. Adjust the decay time and mix level to create a sense of space without washing out the sound.
  • If desired, subtly layer a vintage string synthesizer emulation (e.g., ARP Solina or String Ensemble) underneath the organ. Keep its volume low so it blends in and adds texture rather than dominating.
  • Pay attention to the performance: use sustained notes and smooth chord changes to match the original feel.
  • If your Leslie emulation allows for mic placement adjustments, try simulating one mic on the horn and another on the rotor for a more authentic stereo image.

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