What guitar does Joe Duplantier use on Clone?

Joe Duplantier used a Charvel San Dimas guitar on this track. The guitar's high-output humbucker pickups contribute to the aggressive, cutting tone that defines the song's lead guitar sound.

What amp did Gojira use for Clone guitar tone?

The lead guitar on Clone was recorded through an EVH 5150 III amplifier. This high-gain tube amp is known for its aggressive voicing and tight low-end response, making it ideal for modern metal tones.

How to get Joe Duplantier's guitar tone?

Start with a high-output humbucker guitar into a high-gain amp like a 5150 III. Use an overdrive pedal like the TS9 with low gain settings to tighten the low end, and consider adding a boost pedal like the Fortin Grind for extra saturation and focus.

What pedals does Gojira use on Clone?

The Clone lead guitar tone uses an Ibanez TS9 overdrive and a Fortin Grind pedal. These pedals work together to tighten the low end and add focused saturation to the high-gain amplifier signal.

Where was Gojira Clone recorded?

According to available information, Clone was recorded at Silver Cord Studio in New York with Joe Duplantier serving as producer. The studio setup contributed to the raw, aggressive guitar sound on the track.

lead guitar from "clone" by gojira

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Tone Profile

This tone is aggressive and cutting, characterized by a high-gain amp sound with clear articulation and a tight low-end. It's designed to cut through a dense mix with a modern, djent-inspired edge.

Shop This Rig

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Charvel San Dimas(instrument)
EVH 5150 III(amp)
Shure SM57(microphone)
Ibanez TS9(processing)
Fortin Grind(processing)

The Story

Joe Duplantier recorded this aggressive lead tone using a Charvel San Dimas guitar through an EVH 5150 III amplifier, captured with a Shure SM57 microphone. The signal was tightened and saturated using an Ibanez TS9 overdrive and a Fortin Grind pedal to achieve the cutting, modern high-gain sound characteristic of Gojira's style.

Production Credits

Producer: Joe Duplantier

Engineer: Unknown

Recorded at: Silver Cord Studio, NY

Signal Chain

Instrument: Charvel San DimasShop on Reverb

Amp: EVH 5150 IIIShop on Reverb

Microphone: Shure SM57Shop on Reverb

Processing: Ibanez TS9Shop on Reverb, Fortin GrindShop on Reverb

Recreation Tips

Start with a guitar equipped with high-output humbucker pickups.
Use a tube amplifier capable of high-gain tones, like the EVH 5150 III.
Introduce a overdrive pedal with the gain set low to tighten up the low end and focus the midrange.
Experiment with different microphones and placements to find the sweet spot of your cabinet.
Consider using a noise gate to eliminate unwanted noise from the high-gain signal.

Original Gear

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Substitutions & Recommendations

Neural DSP Fortin NTS SuitePlugin Boutique$129-$149

Alternative to: EVH 5150 III

Captures the aggressive 5150-style high-gain voicing with built-in noise gate and tube saturation modeling

ESP LTD EC-1000Shop on Reverb$899-$999

Alternative to: Charvel San Dimas

Features high-output humbuckers and mahogany construction for similar aggressive output and sustain

Boss SD-1 Super OverdriveShop on Reverb$50-$70

Alternative to: Ibanez TS9

Budget option that provides similar midrange focus and low-end tightening when used as a boost

Peavey 6505+Shop on Reverb$699-$799

Alternative to: EVH 5150 III

Shares the same aggressive high-gain DNA as the 5150 series with excellent note articulation

Horizon Devices Precision DriveShop on Reverb$179-$199

Alternative to: Fortin Grind

Modern high-gain boost pedal designed specifically for metal tones with built-in noise gate

Sources

Frequently Asked Questions

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lead guitar from “clone” by gojira | ToneDB