TONEDB

bass synth from “radioactive” by imagine dragons | ToneDB

radioactive

imagine dragons

bass synth

90% ai confidence

Tone Profile

A monstrous, heavily distorted, and rhythmically wobbling synth bass, created by layering multiple synths and aggressive processing for a signature aggressive low-end.

Signal Chain

Instrument: Native Instruments Massive (or similar wavetable synth)

Amp: Synth Engine (Direct Output)

Processing: SoundToys Decapitator (Saturation), iZotope Trash 2 (Multi-band Distortion/Bitcrushing), Dada Life Sausage Fattener (Aggressive Compression/Distortion), EQ (for tonal shaping and blending layers)

Other: The core 'wobble' is generated within the primary synth (e.g., Massive) using an LFO to modulate a low-pass filter cutoff. The final sound is a composite, likely involving layering this main synth patch with another synth (e.g., Rob Papen SubBoomBass or another Massive instance focused on sub-bass). Each layer is individually processed with distortion and EQ, then potentially bussed for further cohesive processing.

Recording Notes

  • The bass sound is a complex layer of multiple synths, primarily Native Instruments Massive and potentially Rob Papen SubBoomBass, as indicated by information from producer Alex da Kid's engineer.
  • Extensive distortion and saturation are applied using plugins like SoundToys Decapitator, iZotope Trash 2, and Dada Life Sausage Fattener.
  • The characteristic 'wobble' is achieved through LFO modulation of filter cutoff frequencies within the synth patches (e.g., in Massive).
  • The sound is very prominent in the mix and defines the track's aggressive, modern electronic feel.

Recreation Tips

  • Start with a powerful wavetable synthesizer like Native Instruments Massive (original or X) or Xfer Records Serum. These are key for creating the core 'wobble' and texture.
  • In your chosen synth, use saw or square waves for your oscillators. Apply a low-pass filter and modulate its cutoff frequency with an LFO synced to your DAW's tempo (e.g., 1/8th or 1/16th notes) to create the characteristic 'wobble'.
  • Consider layering this main synth patch with a dedicated sub-bass synth (like Rob Papen SubBoomBass) or a simple sine wave oscillator from another synth instance to reinforce the low frequencies and add weight.
  • Apply aggressive distortion in series or via parallel processing. Experiment with SoundToys Decapitator for initial saturation and warmth, then iZotope Trash 2 for more complex multi-band distortion or bitcrushing. Dada Life Sausage Fattener can be used for final aggressive compression and distortion.
  • Use EQ on individual layers and/or on a group bus to balance the frequencies. Ensure the sub-bass (around 40-80Hz) is powerful but defined, and the mid-range grit (200-800Hz) cuts through without becoming overly harsh.
  • Sidechain compression triggered by the kick drum can help the bass sit rhythmically in the mix and enhance the groove.
  • Automate parameters like filter cutoff, LFO rate/depth, and distortion amounts for dynamic variation throughout different sections of the song.

Sources