bass guitar from “walk on the wild side” by lou reed | ToneDB
walk on the wild side
lou reed
bass guitar
Tone Profile
A warm, upright bass sound providing a smooth and melodic foundation. The tone is clean and articulate with a slight roundness, fitting perfectly within the song's laid-back and jazzy atmosphere.
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The Story
Herbie Flowers famously played both upright bass and electric bass on this track, recorded at Trident Studios in London with David Bowie and Mick Ronson producing. The bass parts were layered together to create the distinctive walking bassline that anchors the song. The upright bass provides the melodic foundation while a muted electric bass adds rhythmic support.
Production Credits
Producer: David Bowie, Mick Ronson
Recorded at: Trident Studios, London
Signal Chain
Instrument: Alembic BassShop on Reverb
Recreation Tips
- Use an upright bass or a bass guitar with flatwound strings.
- Record the bass cleanly, focusing on capturing the natural tone of the instrument.
- Use a condenser microphone placed a few feet away from the bass to capture a full and balanced sound.
- Consider using a touch of compression to even out the dynamics.
- Roll off any excessive high frequencies to achieve a warm, smooth tone.
Original Gear
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Substitutions & Recommendations
Alternative to: Upright acoustic bass
Electric upright that captures the acoustic tone and feel needed for this track's walking bassline
Alternative to: Electric bass with flatwound strings
P-bass with flats delivers the warm, muted electric bass tone that Herbie Flowers layered with the upright
Alternative to: Studio condenser microphone
Large diaphragm condenser that captures the full, balanced upright bass sound at a moderate distance
Alternative to: Vintage studio compressor
Provides the gentle compression needed to even out dynamics on the walking bassline
Alternative to: Neumann U47 microphone
Tube condenser mic that recreates the warm, full sound of the original Neumann used on the session
Frequently Asked Questions
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