What synth did Madonna use on Hung Up?

Madonna's 'Hung Up' features a Roland Juno-106 synthesizer for the main synth arpeggio sound. The track was produced by Stuart Price who utilized the Juno-106's characteristic string-like patches and built-in chorus effect.

How to get Madonna Hung Up synth sound?

To recreate the 'Hung Up' synth sound, use a Roland Juno-106 or similar analog polysynth with saw and pulse waveforms. Apply chorus for width, set moderate resonance and fast attack, then program a fast arpeggio sequence with slight detuning for richness.

What is the arpeggio pattern in Madonna Hung Up?

The 'Hung Up' arpeggio is a sequenced pattern that emphasizes rhythmic pulse with harmonic movement, tightly synchronized to the song's tempo. The exact pattern would need to be learned by ear as specific sequence programming details haven't been publicly documented.

Who produced Madonna Hung Up synth parts?

Stuart Price produced and engineered 'Hung Up,' including the synth parts. Price is known for his expertise with analog synthesizers and was responsible for the track's electronic sound design and production.

synth from "hung up" by madonna

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Tone Profile

This is a bright, energetic synth arpeggio with a slightly metallic and resonant character, reminiscent of classic disco strings. It provides a driving rhythmic element and harmonic foundation to the song.

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Roland Juno-106(instrument)

The Story

Madonna's 'Hung Up' features a bright, energetic synth arpeggio created using a Roland Juno-106, produced and engineered by Stuart Price. The sound utilizes the Juno-106's characteristic saw and pulse waveforms with moderate resonance, enhanced by the synth's built-in chorus effect. The arpeggio was sequenced to create a tight, driving rhythmic element that forms the harmonic foundation of the track.

Production Credits

Producer: Stuart Price

Engineer: Stuart Price

Signal Chain

Instrument: Roland Juno-106Shop on Reverb

Recreation Tips

Start with a Roland Juno-106 or a similar analog polysynth known for its string-like capabilities.
Use saw and pulse waveforms, adjusting the pulse width for tonal variation.
Apply a chorus effect to fatten the sound and create stereo width.
Program a fast arpeggio sequence that complements the song's tempo and harmonic structure.
Experiment with filter cutoff and resonance to achieve the desired brightness and resonant character.
Slightly detune oscillators for a richer, more animated sound.

Original Gear

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Roland Juno-106Shop on Reverb(synth)