drums from “enter sandman” by metallica | ToneDB
enter sandman
metallica
drums
Tone Profile
A tight, punchy, and aggressive hard rock drum sound with a focus on clarity and impact. The kick drum is prominent, and the overall tone is polished and powerful.
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The Story
The drums on "Enter Sandman" were recorded at One on One Recording Studios in Los Angeles, produced by Bob Rock and engineered by Randy Staub. Lars Ulrich's Tama Granstar kit was recorded using close-miking techniques, with Shure SM57s on individual drums and Neumann U87s as overheads for the cymbals. The kick drum was heavily dampened for a tight, focused attack, while the snare was tuned high and tight for maximum cut. The recording combined close mics with room mics to capture both clarity and spatial depth.
Production Credits
Producer: Bob Rock
Engineer: Randy Staub
Recorded at: One on One Recording Studios, Los Angeles, CA
Signal Chain
Instrument: Tama GranstarShop on Reverb
Microphone: Shure SM57Shop on Reverb
Recreation Tips
- Start with a well-tuned drum kit with new or relatively new heads.
- Experiment with different muffling techniques to achieve the desired level of damping on the kick and snare drums.
- Use a combination of close mics and overhead mics to capture the full sound of the kit.
- Pay close attention to microphone placement to achieve the desired balance and tonality.
- Use a high-quality preamp and compressor to shape the sound of each drum.
- Consider using a console or channel strip to EQ the individual drum tracks to get the perfect sound.
- Experiment with room mics to capture the ambience of the recording space.
- Mix the drums with a focus on clarity, impact, and aggression.
Original Gear
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- Shure SM57Shop on Reverb(mic)
- Neumann U87Shop on Reverb(mic)
- Tama GranstarShop on Reverb(drums)
- API 512cShop on Reverb(preamp)
- Urei 1176Shop on Reverb(compressor)
- Zildjian CymbalsShop on Reverb(drums)
Substitutions & Recommendations
Alternative to: Tama Granstar drums
Modern Tama kit with similar shell construction and aggressive attack characteristics needed for metal tones
Alternative to: Shure SM57 microphones
The exact same microphone model used on the original recording, still manufactured and industry standard for close-miking drums
Alternative to: Neumann U87 overhead mics
Large diaphragm condenser that captures cymbal detail and room ambience similar to the U87 at a more accessible price
Alternative to: API 512c preamp
API-style preamp clone that provides the punchy, colored sound characteristics of the original API preamps
Alternative to: Urei 1176 compressor
Faithful emulation of the original 1176 compressor used to achieve the tight, aggressive drum compression on the track
Alternative to: Complete drum recording setup
Includes samples specifically modeled after this era of metal drum sounds with built-in processing chains
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