rhythm guitar from “ride the lightning” by metallica | ToneDB
ride the lightning
metallica
rhythm guitar
Tone Profile
A tight, aggressive high-gain rhythm guitar tone with scooped mids, providing clarity and punch for fast-paced riffs. It's a classic thrash metal sound with a raw, slightly unpolished edge.
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The Story
Metallica recorded "Ride the Lightning" at Sweet Silence Studios in Copenhagen with producer Flemming Rasmussen. James Hetfield's rhythm guitar tone was achieved using his Gibson Explorer through a Mesa/Boogie Mark IIC+ amplifier, close-miked with a Shure SM57. The characteristic scooped mid EQ and tight, aggressive sound helped define the thrash metal genre and became a template for countless metal recordings.
Production Credits
Producer: Flemming Rasmussen
Engineer: Flemming Rasmussen
Recorded at: Sweet Silence Studios, Copenhagen
Signal Chain
Instrument: Gibson ExplorerShop on Reverb
Amp: Mesa/Boogie Mark IIC+Shop on Reverb
Microphone: Shure SM57Shop on Reverb
Recreation Tips
- Start with a Gibson Explorer or similar guitar with high-output humbucker pickups.
- Use a Mesa/Boogie Mark IIC+ amp model or similar high-gain amplifier.
- Dial in a scooped mid EQ setting, boosting the bass and treble frequencies.
- Experiment with microphone placement on the cabinet to find the sweet spot.
- Add a touch of compression to tighten up the sound and enhance sustain.
Original Gear
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Substitutions & Recommendations
Alternative to: Mesa/Boogie Mark IIC+
Modern successor to the Mark IIC+ with multiple channels including a faithful recreation of the original Mark IIC+ circuit for authentic Metallica tones
Alternative to: Mesa/Boogie Mark IIC+
High-quality digital recreation of Mesa Boogie circuits including Mark series amps, offers the scooped mid character essential for this tone
Alternative to: Gibson Explorer
Budget Explorer-style guitar with high-output humbuckers that delivers the aggressive pickup output needed for thrash metal rhythm tones
Alternative to: Mesa/Boogie Mark IIC+
15-watt tube head designed for modern metal with tight, focused gain structure similar to the Mark series scooped character
Alternative to: Shure SM57
The exact same microphone used on the original recording, still the industry standard for close-miking guitar cabinets
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