piano from “tubular bells, part one” by mike oldfield | ToneDB
tubular bells, part one
mike oldfield
piano
75% ai confidence
Tone Profile
A bright, slightly chorused piano sound with a clean and clear character, fitting the overall ethereal and experimental vibe of the piece. The tone is relatively unprocessed, maintaining a natural acoustic quality enhanced with subtle effects.
Production Credits
Producer: Mike Oldfield
Engineer: Tom Newman
Recorded at: The Manor Studio, Oxfordshire
Signal Chain
Instrument: Steinway Model D
Microphone: Neumann U87
Processing: EMT 246 Digital Reverberator, Eventide Instant Phaser
Recording Notes
- The piano was likely recorded in a large studio space to capture natural reverb.
- Close mic placement was probably used to capture the piano's direct sound, supplemented by room mics for ambience.
- Given the era, analog recording techniques would have been employed, possibly using tape saturation to add warmth.
- The Eventide Instant Phaser was used to create a subtle swirling effect, enhancing the piano's presence without overpowering its natural tone.
Recreation Tips
- Start with a high-quality grand piano sample or recording.
- Use a clean preamp to capture the natural sound of the piano.
- Apply a touch of digital reverb to simulate a studio environment.
- Add a subtle phaser effect to create movement and depth in the sound.
- Experiment with EQ to brighten the tone and enhance clarity.
- Consider using a tape emulation plugin to add warmth and saturation.
Recommended Gear
- Steinway Model D(keyboard)
- Neumann U87(mic)
- EMT 246 Digital Reverberator(pedal)
- Eventide Instant Phaser(pedal)
Sources
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