What bass did Chris Wolstenholme use on Uprising?

Chris Wolstenholme used a Fender Precision Bass as the foundation for the "Uprising" bass tone. The Precision Bass provides the fundamental tone that works well with the heavy effects processing used on the track.

How to get Muse Uprising bass tone?

Start with a Fender Precision Bass, add heavy fuzz distortion with a Z.Vex Woolly Mammoth or similar fuzz pedal, and use filtering effects like the Line 6 Filter Pro for the synth-like quality. Record through an Ampeg SVT amp and blend DI and mic'd signals.

What fuzz pedal does Muse use on bass?

Muse uses the Z.Vex Woolly Mammoth fuzz pedal for the heavy, saturated bass distortion heard on songs like "Uprising." This pedal is known for its thick, woolly fuzz character that works particularly well on bass.

What amp does Chris Wolstenholme use?

Chris Wolstenholme uses Ampeg SVT amplifiers, specifically the SVT-VR (Vintage Reissue) model for recording "Uprising." The SVT provides the powerful, warm tube foundation that supports the heavily processed fuzz tone.

How do you get synth bass sound with real bass guitar?

For the synth-like bass sound on "Uprising," use filtering effects like the Line 6 Filter Pro combined with heavy fuzz distortion. The filtering creates resonant sweeps and modulation that mimics synthesizer characteristics while maintaining the fundamental bass guitar tone.

bass guitar from "uprising" by muse

uprising

muse

bass guitar

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Tone Profile

A fuzz-laden bass tone with a synth-like quality, providing a heavy and driving foundation for the song. The tone is thick, aggressive, and sits prominently in the mix.

Shop This Rig

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Fender Precision Bass(instrument)
Ampeg SVT-VR(amp)
Neumann U47(microphone)
Z.Vex Woolly Mammoth(processing)
Line 6 Filter Pro(processing)

The Story

Chris Wolstenholme's bass tone on "Uprising" features heavy fuzz distortion created with a Z.Vex Woolly Mammoth pedal, combined with filtering effects from a Line 6 Filter Pro to achieve the song's signature synth-like bass sound. The foundation comes from a Fender Precision Bass through an Ampeg SVT-VR amplifier, with the signal likely recorded as a blend of direct input and mic'd cabinet.

Production Credits

Producer: Muse

Engineer: Unknown

Recorded at: Unknown

Signal Chain

Instrument: Fender Precision BassShop on Reverb

Amp: Ampeg SVT-VRShop on Reverb

Microphone: Neumann U47Shop on Reverb

Processing: Z.Vex Woolly MammothShop on Reverb, Line 6 Filter ProShop on Reverb

Recreation Tips

Start with a Fender Precision Bass for its fundamental tone.
Use an Ampeg SVT-VR to provide a solid and powerful amp foundation.
Dial in the Z.Vex Woolly Mammoth for a thick and saturated fuzz.
Experiment with the Line 6 Filter Pro to get the synth-like filter effect, focusing on resonant sweeps and modulation.
Blend a DI signal with the mic'd amp to capture both clarity and warmth.

Original Gear

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Fender Precision BassShop on Reverb(guitar)
Ampeg SVT-VRShop on Reverb(amp)
Z.Vex Woolly MammothShop on Reverb(pedal)
Line 6 Filter ProShop on Reverb(pedal)
Neumann U47Shop on Reverb(mic)

Substitutions & Recommendations

EHX Big Muff PiShop on Reverb$80-$100

Alternative to: Z.Vex Woolly Mammoth

Provides thick, saturated fuzz similar to the Woolly Mammoth at a budget-friendly price point

Z.Vex Woolly MammothShop on Reverb$250-$300

Alternative to: Z.Vex Woolly Mammoth

The exact pedal used on the recording, offering the authentic thick fuzz tone

Boss SYB-5 Bass SynthesizerShop on Reverb$150-$180

Alternative to: Line 6 Filter Pro

Provides synth-like filtering effects and modulation similar to the Filter Pro's capabilities

Ampeg SVT-7PROShop on Reverb$800-$1000

Alternative to: Ampeg SVT-VR

Modern Ampeg head that delivers the classic SVT tone foundation in a lighter package

Neural DSP ParallaxPlugin Boutique$100-$120