TONEDB

bass guitar from “come as you are” by nirvana | ToneDB

come as you are

nirvana

bass guitar

90% ai confidence

Tone Profile

A thick, somewhat dark, and iconic bass tone, defined by its prominent, watery chorus effect and detuned growl, sitting firmly in the low-mid frequencies.

Signal Chain

Instrument: Gibson Ripper L9-S Bass (played with a pick)

Amp: Ampeg SVT-400T head with Mesa/Boogie RoadReady 2x15" and/or 8x10" cabinets

Microphone: AKG D112 or Sennheiser MD421

Processing: Electro-Harmonix Clone Theory (Chorus/Vibrato mode)

Other: Bass tuned DGCF (D Standard). Amp signal likely blended with a DI. Chorus is key. Pick used (e.g., Dunlop Tortex .88mm).

Recording Notes

  • Recorded by Butch Vig at Sound City Studios for the album *Nevermind* (1991).
  • The bass line, with its distinctive chorus effect, is the main melodic hook of the song.
  • The bass is tuned down a whole step to D Standard (DGCF).
  • The tone is round and full, with a clear pick attack, but not overly bright or aggressive.
  • A blend of DI and mic'd amplifier signals was likely used to achieve the final sound.

Recreation Tips

  • Tune your bass down one whole step to D Standard (DGCF). This is crucial.
  • Use a pick (e.g., Dunlop Tortex .88mm green pick or similar medium-heavy pick) for defined attack.
  • An analog chorus pedal is essential. An EHX Clone Theory (or reissue/clone) is ideal. Set for a noticeable, watery shimmer.
  • Aim for a clean to slightly gritty bass amp tone. An Ampeg SVT or a good simulation will work well.
  • If using a DI, blend it with a mic'd amp signal for a full sound. Prioritize the amp for this tone's character.
  • Use fresh roundwound strings for clarity.

Sources