What guitar did Noel Gallagher use on Supersonic?

Noel Gallagher used a Gibson Les Paul for the lead guitar parts on "Supersonic". This was his go-to guitar during the early Oasis recordings and provided the thick, humbucker-driven tone that became central to the band's sound.

How to get Oasis Supersonic guitar tone?

Start with a humbucker-equipped guitar like a Les Paul into a Vox AC30 amplifier. Add a Fuzz Face pedal for the raw overdrive and a chorus pedal (like the Boss CE-1) for thickness. Keep the amp slightly overdriven and experiment with the fuzz placement early in your signal chain.

What amp did Oasis use on Definitely Maybe?

Oasis primarily used Vox AC30 amplifiers during the recording of Definitely Maybe, including on "Supersonic". The AC30's EL84 tubes and Top Boost circuit were essential to achieving their signature bright, cutting British rock sound.

What chorus pedal did Noel Gallagher use?

Noel Gallagher used a Boss CE-1 Chorus Ensemble on "Supersonic" and other early Oasis recordings. This vintage chorus pedal added the swirling, dimensional quality that became a key part of his guitar sound during the Definitely Maybe era.

What fuzz pedal sounds like Oasis Supersonic?

The original recording used a Dallas Arbiter Fuzz Face, which provides the raw, sustaining fuzz tone heard on the lead parts. Modern alternatives include the Dunlop Jimi Hendrix Fuzz Face or even a Big Muff Pi for a similar harmonic saturation and sustain.

lead guitar from "supersonic" by oasis

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Tone Profile

Bright and slightly overdriven British rock sound, with a touch of fuzz and chorus to add dimension. It's got a raw energy that cuts through the mix.

Shop This Rig

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Gibson Les Paul(instrument)
Vox AC30(amp)
Neumann U67(microphone)
Dallas Arbiter Fuzz Face(processing)
Boss CE-1(processing)

The Story

The lead guitar sound on "Supersonic" was recorded at Monnow Valley Studio using Noel Gallagher's Gibson Les Paul through a Vox AC30 amplifier. A Dallas Arbiter Fuzz Face was used to add the raw, overdriven character to the lead lines, while a Boss CE-1 chorus pedal provided the swirling thickness that became part of Oasis's signature guitar sound. The recording was produced by Owen Morris and engineered by Mark Coyle.

Production Credits

Producer: Owen Morris

Engineer: Mark Coyle

Recorded at: Monnow Valley Studio

Signal Chain

Instrument: Gibson Les PaulShop on Reverb

Amp: Vox AC30Shop on Reverb

Microphone: Neumann U67Shop on Reverb

Processing: Dallas Arbiter Fuzz FaceShop on Reverb, Boss CE-1Shop on Reverb

Recreation Tips

Start with a Les Paul or similar humbucker-equipped guitar.
Use a Vox AC30 amp model or the real thing.
Introduce a Fuzz Face early in the chain for that raw, overdriven tone.
Add a subtle chorus effect to thicken the sound, being careful not to overdo it.
Experiment with mic placement on the amp to capture the desired tone and room ambience.

Original Gear

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Gibson Les PaulShop on Reverb(guitar)
Vox AC30Shop on Reverb(amp)
Dallas Arbiter Fuzz FaceShop on Reverb(pedal)
Boss CE-1Shop on Reverb(pedal)
Neumann U67Shop on Reverb(mic)

Substitutions & Recommendations

Dunlop JHF1 Jimi Hendrix Fuzz FaceShop on Reverb$150-$180

Alternative to: Dallas Arbiter Fuzz Face

Modern recreation of the classic Fuzz Face circuit with silicon transistors for consistent performance and the same raw fuzz character

Vox AC30C2 CustomShop on Reverb$1200-$1400

Alternative to: Vox AC30

Current production AC30 with the same EL84 power tubes and Top Boost channel that defined the original Britpop sound

Boss CE-2W Waza Craft ChorusShop on Reverb$180-$200

Alternative to: Boss CE-1

Features vintage CE-1 mode that recreates the original's lush analog chorus sound with both chorus and vibrato options

Neural DSP Archetype: NollyPlugin Boutique$90-$110

Alternative to: Vox AC30 + Fuzz Face chain

Includes accurate AC30 modeling and vintage fuzz pedal emulations for achieving British rock tones in the box

EHX Green Russian Big Muff PiShop on Reverb$80-$100