bass guitar from “money” by pink floyd | ToneDB
money
pink floyd
bass guitar
Tone Profile
A dry, punchy, and articulate bass tone with a bright pick attack and strong mid-range fundamental, characteristic of early 70s rock.
Signal Chain
Instrument: Fender Precision Bass (likely late 60s/early 70s model, possibly with maple fretboard)
Amp: Hiwatt DR103 Custom 100 Head with Hiwatt SE4123 4x12 Fane-loaded cabinet(s)
Microphone: Neumann U47 FET or AKG D12 (on cabinet), possibly blended with a DI signal
Processing: Studio compression (e.g., Urei 1176 or Teletronix LA-2A), Console EQ (e.g., Helios or EMI TG series) for shaping
Other: Played with a pick (e.g., Herco heavy). Strung with Rotosound RS66 Swing Bass roundwound strings. Note: The bass guitar features a distinct tremolo effect during the guitar solo section, not on the main riff.
Recording Notes
- Recorded at Abbey Road Studios in 1972.
- The bass is a driving element, particularly in the iconic 7/4 time signature riff.
- Engineered by Alan Parsons, known for clear and well-defined recordings.
- The main bass tone is relatively dry, with minimal reverb or room sound, emphasizing its directness.
Recreation Tips
- Use a Fender Precision Bass or a similar split-coil pickup bass.
- Equip with roundwound strings (e.g., Rotosound RS66) for brightness and attack.
- Play with a pick, striking firmly, potentially closer to the bridge for a more defined attack.
- Utilize a clean, high-headroom tube amplifier like a Hiwatt or a similar model (e.g., Fender Bassman, Ampeg SVT at cleaner settings).
- Apply subtle compression to control dynamics and add punch.
- Keep the bass guitar's tone control relatively open (75-100%) for clarity.
- For the solo section bass sound, introduce a tremolo effect (e.g., Boss TR-2, EHX Stereo Pulsar, or an amp's built-in tremolo).