drums from “time” by pink floyd | ToneDB

time

pink floyd

drums

90% ai confidence

Tone Profile

A spacious, powerful, yet articulate drum sound, characterized by the iconic tuned Rototoms in the intro and a natural, slightly dry kit sound imbued with the distinct ambience of Abbey Road Studio Two. It's dynamic and punchy, with a focus on clear transients and the natural resonance of the drums.

Signal Chain

Instrument: Remo Rototoms (6", 8", 10", 12", 14" used for intro melody)

Microphone: Sennheiser MD421 (close miked on each)

Processing: EMI TG12345 console EQ, Studer J37 tape saturation, Stereo Panning for intro sequence

Other: Tuned to pitches: F#, E, D, C#, B, A (approximate for intro).

Recording Notes

  • Recorded at Abbey Road Studio Two, engineered by Alan Parsons.
  • Primary tape machine was likely a Studer J37 16-track or a 3M M56 16-track.
  • Recorded through an EMI TG12345 mixing console.
  • The Rototoms were tuned to specific pitches for the intro's melodic percussion line.
  • Minimal processing during tracking, relying on mic choice, placement, console EQs, and tape saturation.
  • The distinct ambience of Abbey Road Studio Two is a key component of the drum sound.
  • The initial 'tick-tock' clock sounds were a separate sound effects collage created by Alan Parsons.

Recreation Tips

  • Use a Ludwig kit (Classic Maple or similar) and Paiste Giant Beat or 2002 cymbals.
  • Remo Rototoms are crucial for the intro; tune them carefully (F#, E, D, C#, B, A approx).
  • Mic choices: AKG D12/D20 or U47 FET on kick; SM57 on snare top (KM84 on bottom); MD421s or U67s on toms; U67s/U87s for overheads; KM84 on hi-hat.
  • Utilize room mics (e.g., U87s, Coles 4038s) to capture space, or use high-quality Abbey Road Studio Two convolution reverbs.
  • Employ tape emulation plugins (e.g., UAD Studer A800, Waves J37) for saturation and warmth.
  • Use EMI TG12345 console emulation plugins (e.g., Waves Abbey Road TG, Chandler Limited TG) for authentic EQ and preamp character.
  • Keep the main kit relatively dry, with space primarily from overheads and room mics.
  • Pay close attention to panning, especially the stereo spread of the Rototoms in the intro.