drums from “bohemian rhapsody” by queen | ToneDB
bohemian rhapsody
queen
drums
Tone Profile
The drum sound is characterized by its massive, roomy, and slightly muffled quality, contributing to the song's epic and dramatic atmosphere. It's a sound that's both powerful and controlled, providing a solid foundation for the complex arrangement.
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The Story
Roger Taylor's drum sound on 'Bohemian Rhapsody' was recorded at multiple studios including Sarm, Roundhouse, Scorpio Sound, and Rockfield Studios. The kit was a Ludwig Super Classic, recorded with a combination of close and room mics including Neumann U67 and AKG C12 microphones. Producer Roy Thomas Baker and engineer Mike Stone achieved the massive, roomy sound through careful microphone placement and the use of the Glyn Johns recording technique.
Production Credits
Producer: Roy Thomas Baker
Engineer: Mike Stone
Recorded at: Sarm Studios, Roundhouse Studios, Scorpio Sound, Rockfield Studios
Signal Chain
Instrument: Ludwig Super ClassicShop on Reverb
Microphone: Neumann U67Shop on Reverb
Recreation Tips
- Start with a Ludwig Super Classic drum kit, or a similar vintage kit known for its warm and resonant tone.
- Use a combination of close mics (such as Neumann U67 on snare and toms) and room mics (such as AKG C12) to capture both the detail and the ambience of the kit.
- Experiment with microphone placement to find the sweet spot for your room.
- Consider using the Glyn Johns method for an authentic vintage drum sound.
- Use compression sparingly to maintain the natural dynamics of the kit.
- Add a touch of reverb to enhance the room ambience, but be careful not to overdo it.
- EQ the drums to taste, but aim for a balanced and natural sound.
Original Gear
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Substitutions & Recommendations
Alternative to: Ludwig Super Classic drum kit
Modern Ludwig kit with similar shell construction and warm, resonant tone characteristics of the vintage Super Classic
Alternative to: Neumann U67 microphone
Modeling microphone system that recreates the U67's tube warmth and character used on Taylor's close mics
Alternative to: AKG C12 microphone
Modern successor to the C12 with similar large-diaphragm characteristics for room miking
Alternative to: Glyn Johns recording technique and vintage console
Emulates the EQ and preamp character of vintage consoles used during the Bohemian Rhapsody sessions
Alternative to: Studio room ambience
Recreates the natural room reverb and spatial characteristics of the multiple studios used
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