lead guitar from “bohemian rhapsody” by queen | ToneDB
bohemian rhapsody
queen
lead guitar
95% ai confidence
Tone Profile
A thick, searing, and vocal-like lead tone with rich harmonics and sustain, achieved through a unique guitar, treble booster, and cranked valve amps.
Signal Chain
Instrument: Brian May Red Special
Amp: Vox AC30 (multiple, driven hard)
Microphone: Shure SM57 / Neumann U87 (likely)
Processing: Dallas Rangemaster Treble Booster (or similar custom treble booster), Studio Plate Reverb, Studio Tape Delay/Echo
Other: Use of a sixpence coin as a pick. Multiple layered guitar tracks recorded for harmonies. Volume knob manipulation for dynamics.
Recording Notes
- The core tone involves the Red Special guitar's unique pickup switching, a treble booster pedal, and Vox AC30 amplifiers turned up loud.
- Multiple guitar parts were meticulously layered to create the orchestral harmonies and thick solo sound.
- Studio effects like reverb and tape echo were added during the mixing process.
- The Deacy Amp might have been used for some layered textures, but the main solo tone is widely attributed to the AC30s.
- Microphone placement likely involved close-miking the amplifier cabinets.
Recreation Tips
- Use a guitar with humbucker-style pickups (ideally series wiring options if available).
- Place a treble booster pedal first in your chain.
- Run the treble booster into a Vox AC30-style amplifier (or simulation) set to the edge of breakup or slightly overdriven.
- Use the bridge pickup, possibly combined with the middle pickup in series (a common Red Special setting).
- Use a hard pick (like a coin) for a sharper attack.
- Focus on precise bending, wide vibrato, and smooth legato technique.
- Experiment with your guitar's volume knob to control gain and dynamics.
- Add delay (around 80-160ms) and reverb post-amp for space.
Recommended Gear
- Brian May Guitars Red Special(guitar)
- Vox AC30 Custom(amp)
- Analog Man Beano Boost(pedal)
- Fryer Guitars Treble Booster Deluxe(pedal)
- Shure SM57(mic)