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piano from “bohemian rhapsody” by queen | ToneDB

bohemian rhapsody

queen

piano

90% ai confidence

Tone Profile

A rich, resonant, and articulate grand piano with classic studio polish, defined by its clarity, dynamic range, and the subtle warmth of analog tape. It's present and clear, forming the song's harmonic backbone.

Signal Chain

Instrument: Bechstein Concert Grand Piano (Model IV at Trident Studios)

Microphone: Multiple Neumann U67 or U87 microphones

Processing: Trident A-Range console preamps & EQ, Studer A80 2-inch 24-track tape machine (for inherent tape saturation and compression), Subtle EMT 140 Plate Reverb (on some parts)

Other: Close miking techniques (e.g., spaced pair over hammers/strings) in a professional studio environment like Trident Studios. Possibly additional room/ambient mics blended in.

Recording Notes

  • Played by Freddie Mercury, who favored the Bechstein grand piano at Trident Studios.
  • Recorded in layers, with piano parts often forming the foundational guide for other instruments and vocals.
  • The piano sound is central to the song's dynamic shifts and complex arrangement.
  • This main grand piano sound is distinct from the 'jangle' or 'tack' piano used in the operatic section, which was a specially prepared upright piano.
  • Recorded primarily at Trident Studios and Sarm East Studios, both equipped with Trident A-Range consoles.

Recreation Tips

  • Start with a high-quality sampled grand piano VST; Bechstein emulations (e.g., Native Instruments Noire, Cinesamples Piano in Blue, VSL Bechstein D-280) are ideal, otherwise a detailed Steinway or Yamaha model can work.
  • If your VST allows, use multiple microphone perspectives (e.g., close mics and room mics) and blend them for depth.
  • Apply console emulation (Trident A-Range if possible) for authentic preamp coloration and EQ shaping. Focus on clarity in the mids and upper-mids.
  • Use a tape saturation plugin to emulate the warmth, subtle compression, and harmonic richness of analog tape recording.
  • Add a high-quality plate reverb plugin sparingly for a sense of space, ensuring it doesn't wash out the piano's articulation.
  • Pay close attention to Freddie Mercury's expressive playing dynamics; use velocity sensitivity effectively.
  • Consider subtle stereo widening if needed, but maintain a strong center for the piano.

Sources