rhythm guitar from “crazy little thing called love” by queen | ToneDB
crazy little thing called love
queen
rhythm guitar
Tone Profile
A bright and punchy rockabilly-inspired guitar tone with a slight overdrive, creating a rhythmic and energetic foundation for the song. It's got a clean bite with a touch of grit.
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Production Credits
Producer: Mack
Engineer: Unknown
Recorded at: Musicland Studios, Munich
Signal Chain
Instrument: Fender TelecasterShop on Reverb
Microphone: Neumann U67Shop on Reverb
Recording Notes
- The guitar was likely recorded with a combination of close-miking and room ambience to capture both clarity and depth.
- The amp was likely pushed to the edge of breakup to achieve the slight overdrive.
- The room's natural acoustics probably contributed to the overall sound, adding to the fullness and character of the guitar tone.
- It's rumored that Brian May used a custom amplifier which was built using parts of the Vox AC30.
Recreation Tips
- Start with a Fender Telecaster-style guitar for its twang and clarity.
- Use an amp with Vox-like characteristics.
- Experiment with microphone placement to find the sweet spot between direct sound and room ambience.
- If you want to add slight tube saturation, a tube screamer set at a low drive level can help.
Original Gear
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Substitutions & Recommendations
Alternative to: Fender Telecaster
Provides the essential Telecaster bridge pickup twang and clarity needed for this rockabilly-inspired tone at a budget-friendly price
Alternative to: Fender Telecaster
Modern Telecaster with authentic single-coil bite and brightness that delivers the punchy character of the original tone
Alternative to: Vox AC30-style amp
Delivers classic Vox chime and natural tube breakup at lower volumes, perfect for achieving that edge-of-breakup overdrive
Alternative to: Vox AC30-style amp
Can push any clean amp into slight overdrive territory while maintaining the bright, punchy character needed for this tone
Alternative to: Vox AC30-style amp
Accurately models classic Vox amp characteristics including the natural compression and breakup heard in this style of tone
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