lead guitar from “killer queen” by queen | ToneDB
killer queen
queen
lead guitar
85% ai confidence
Tone Profile
The guitar tone is bright, harmonically rich, and slightly overdriven, with a characteristic 'honky' quality. It's articulate and cutting, perfect for melodic lines and harmonies.
Production Credits
Producer: Roy Thomas Baker
Engineer: Mike Stone
Recorded at: Rockfield Studios, Monmouth, Wales
Signal Chain
Instrument: Burns Brian May Super
Amp: Vox AC30
Microphone: Neumann U67
Processing: Treble Booster, Dallas Rangemaster
Recording Notes
- Brian May often used a sixpence coin as a pick, contributing to the bright, articulate attack.
- The guitars were recorded in a studio setting with careful attention to mic placement to capture the AC30's unique characteristics.
- Layered guitar harmonies are a key element of Queen's signature sound.
- The 'Deacy Amp,' a small, custom-built amplifier, was used in conjunction with the AC30 for some parts, contributing to the unique mid-range character.
Recreation Tips
- Start with a guitar that has single-coil pickups or something that can be coil-split to emulate that thinner sound.
- Use a Vox AC30 amp or a modeler that has a good AC30 emulation. Dial in a slightly overdriven tone with a focus on the upper mid-range.
- Experiment with a treble booster or a mid-boost pedal to get that 'honky' sound.
- Use a light touch with your picking hand, and consider using a thinner pick to brighten the attack.
- Double-track your guitar parts and pan them slightly to create a wider stereo image, and layer multiple harmonies.
Recommended Gear
- Burns Brian May Super(guitar)
- Vox AC30(amp)
- Neumann U67(mic)
- Treble Booster(pedal)
- Dallas Rangemaster(pedal)
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