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organ from “somebody to love” by queen | ToneDB

somebody to love

queen

organ

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Tone Profile

A majestic, full-bodied, and soulful Hammond organ sound with the characteristic swirl of a Leslie speaker. It forms a key part of the song's powerful gospel-inspired arrangement, providing both warmth and harmonic richness.

Signal Chain

Instrument: Hammond C3 or B3 Organ

Amp: Leslie 122 or 147 Speaker Cabinet

Microphone: Likely a combination: Shure SM57s (or similar dynamics like Sennheiser MD421s) on the rotating horns (stereo), and an Electro-Voice RE20 (or similar large-diaphragm dynamic like AKG D112) on the bass rotor.

Processing: Leslie speaker's internal chorale/tremolo effect, Studio console EQ (for general shaping), Studio plate reverb (added during mixing)

Other: Key elements include the manipulation of the Leslie speed (switching between slow/chorale and fast/tremolo settings) to add dynamics and movement. The organ parts are likely multi-tracked or layered to create a fuller sound.

Recording Notes

  • Freddie Mercury played the Hammond organ on this track.
  • The organ is a fundamental component of the song's dense, gospel choir-influenced vocal arrangements and overall texture.
  • Recorded at Sarm East Studios or Wessex Sound Studios in 1976.
  • The Leslie speaker would have been miked in an isolation booth or a suitable acoustic space to capture its distinctive sound.
  • The organ provides both rhythmic chording and melodic fills throughout the song.

Recreation Tips

  • Use a genuine Hammond organ or a high-quality digital emulation (e.g., VST plugin).
  • A Leslie speaker or a convincing Leslie simulator plugin is absolutely essential. Experiment with virtual microphone placements if using a simulator.
  • Employ full-bodied drawbar settings. A common starting point for a rich sound is 888000000, or variations like 888400000. Adjust to taste for brightness and body. The C3 chorus/vibrato scanner effect on the Hammond itself might be engaged (e.g., C3 setting).
  • Automate the Leslie speed: use the slow (chorale) setting for verses or mellower sections and switch to fast (tremolo) for emphasis, crescendos, or more intense sections.
  • Add a spacious studio reverb (plate or hall emulation) to give the organ depth and blend it into the mix.
  • Consider a touch of console-style saturation or subtle overdrive if your emulation allows, to mimic the sound of the organ and Leslie being pushed slightly.
  • Listen carefully to the original recording for the organ's placement in the stereo field and try to replicate it.

Sources