drums from “superstition” by stevie wonder | ToneDB

superstition

stevie wonder

drums

AI generatedv1.0

Tone Profile

A tight, punchy, and funky drum sound with a focus on the snare and kick, characteristic of 70s soul/funk. The drums are dry and close-miked, with a clear attack and controlled sustain.

Gear

Rogers Drumsinstrument
Reverb$40Sweetwater
AKG D12microphone
ReverbSweetwater
Shure SM57mic
ReverbSweetwater

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The Story

"Superstition" was produced by Stevie Wonder and engineered by Bob Margouleff and Malcolm Cecil at Crystal Sound studio in Los Angeles. The drum sound features close-miking techniques with AKG D12 and Shure SM57 microphones on a Rogers drum kit to capture the dry, punchy character. The kick drum was likely damped internally to control resonance, and the snare was tuned tight with possible muffling to reduce ringing.

Production Credits

Producer: Stevie Wonder

Engineer: Bob Margouleff, Malcolm Cecil

Recorded at: Crystal Sound studio, Los Angeles

Signal Chain

Instrument: Rogers Drums

Microphone: AKG D12

Recreation Tips

  • Use close-miking techniques on each drum to capture a direct and dry sound.
  • Experiment with damping the kick drum to achieve a tight and punchy tone.
  • Tune the snare drum relatively high and consider using some muffling to control sustain.
  • Apply compression to the individual drum tracks and the drum bus to enhance the attack and create a cohesive sound.
  • Consider using EQ to shape the individual drum tones, focusing on the low-end punch of the kick and the crispness of the snare.
  • Use minimal reverb or ambience to maintain the dry and intimate character of the original recording.

Original Gear

  • Rogers Drums(drums)
  • AKG D12(mic)
  • Shure SM57(mic)

Substitutions & Recommendations

Shure Beta 52A$150-$180

Alternative to: AKG D12

Dynamic mic designed for kick drum with similar low-end response and punch as the D12, perfect for capturing that tight 70s kick sound

ReverbSweetwater
Shure SM57$100-$120

Alternative to: Shure SM57

The exact same microphone used on the original recording, still manufactured and ideal for capturing snare attack and presence

ReverbSweetwater
Gretsch Brooklyn Series$800-$1200

Alternative to: Rogers Drums

Modern drums with similar maple construction and vintage voicing that can achieve the punchy, controlled tone of 70s Rogers kits

ReverbSweetwater
Waves CLA-76 Compressor$30-$50

Alternative to: Close-miking and compression techniques

1176-style compression plugin that emulates the fast attack and punch used on classic 70s drum recordings

ReverbSweetwater
Evans EQ Pad Damping System$15-$25

Alternative to: Rogers Drums kick drum damping

Modern damping solution that helps achieve the controlled, punchy kick drum sound with reduced sustain

ReverbSweetwater

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