lead guitar from “plush” by stone temple pilots | ToneDB
plush
stone temple pilots
lead guitar
Tone Profile
The lead guitar tone is characterized by a warm, slightly overdriven sound with a touch of fuzz and a subtle wah-like filter sweep. It's a dynamic tone that emphasizes the guitar's midrange.
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The Story
Dean DeLeo's lead guitar tone on 'Plush' was created using a Gibson Les Paul through a Mesa/Boogie Dual Rectifier amp, recorded with a Shure SM57 microphone. The signal chain included an Arbiter Fuzz Face for vintage-style saturation and a Dunlop Cry Baby wah pedal used subtly for tonal coloration. The track was recorded at Southern Tracks Studio in Atlanta with producer Brendan O'Brien and engineer Nick DiDia.
Production Credits
Producer: Brendan O'Brien
Engineer: Nick DiDia
Recorded at: Southern Tracks Studio, Atlanta, GA
Signal Chain
Instrument: Gibson Les PaulShop on Reverb
Amp: Mesa/Boogie Dual RectifierShop on Reverb
Microphone: Shure SM57Shop on Reverb
Processing: Arbiter Fuzz FaceShop on Reverb, Dunlop Cry Baby WahShop on Reverb
Recreation Tips
- Start with a Les Paul or similar humbucker-equipped guitar.
- Use a Mesa/Boogie Dual Rectifier amp model or similar high-gain amp.
- Add a Fuzz Face model before the amp for a vintage-style fuzz tone.
- Experiment with a wah pedal to find a sweet spot that complements the melody.
- Use a dynamic microphone model like an SM57 for a close-miked sound.
- Consider layering multiple takes to add depth and thickness.
Original Gear
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Substitutions & Recommendations
Alternative to: Gibson Les Paul
Provides the essential humbucker tone and sustain of the original at a budget-friendly price point
Alternative to: Mesa/Boogie Dual Rectifier
High-gain amp with built-in effects and a Rectifier-inspired voice that captures the warm overdrive character
Alternative to: Mesa/Boogie Dual Rectifier
Digital amp modeling that accurately recreates Mesa/Boogie high-gain tones with studio-quality results
Alternative to: Arbiter Fuzz Face
Compact recreation of the classic Fuzz Face circuit that adds the vintage fuzz saturation heard on the track
Alternative to: Dunlop Cry Baby Wah
The modern version of the same wah pedal used on the original recording, providing identical tonal sweep characteristics
Sources
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