fuzz guitar from “elephant” by tame impala | ToneDB

elephant

tame impala

fuzz guitar

88% ai confidence

Tone Profile

A searing, thick, and psychedelic fuzz guitar tone characterized by a prominent upper octave and swirling phaser, delivering a powerful vintage rock sound with a slightly unruly edge.

Signal Chain

Instrument: Fender Stratocaster (likely bridge or neck pickup)

Amp: Vox AC30 (Top Boost channel, driven to edge of breakup or slightly beyond)

Microphone: Shure SM57 (close-mic'd), potentially blended with a Royer R-121 or a DI signal

Processing: Electro-Harmonix Micro POG (or similar octave pedal, primarily for octave up), Silicon Fuzz Pedal (e.g., Dunlop JDF2 Fuzz Face, ZVEX Fuzz Factory, or a custom high-gain silicon fuzz), MXR Phase 90 (or Electro-Harmonix Small Stone)

Other: Guitar likely double-tracked for width. Experiment with guitar's volume and tone knobs to shape fuzz character. Kevin Parker is known for DI recording and re-amping, or blending DI with mic'd amp.

Recording Notes

  • The core of the sound is a fuzz pedal combined with an octave-up effect.
  • The phaser is integral, adding psychedelic movement, typically set to a moderate speed.
  • Guitars are often double-tracked in Tame Impala productions to create a wider and thicker sound.
  • The amp is likely driven to complement the fuzz, adding its own compression and harmonic richness.
  • Kevin Parker often utilizes studio techniques like running signals through multiple preamps or console channels for additional saturation and character.

Recreation Tips

  • Place the octave pedal before the fuzz pedal in your signal chain for better tracking and to allow the fuzz to process the octave-shifted signal.
  • Follow the fuzz with the phaser for a classic psychedelic sweep.
  • Use a silicon-based fuzz for a more aggressive and brighter fuzz tone, characteristic of "Elephant".
  • Experiment with the blend of the octave-up signal from the POG; it should be prominent.
  • Set your amp to be fairly clean but loud, or on the edge of breakup, letting the pedals do most of the heavy lifting for the distortion.
  • Don't be afraid of a slightly compressed or 'blown-out' sound, as this contributes to the track's raw energy.
  • Consider using your guitar's bridge pickup for more bite, or the neck pickup for a slightly rounder, woolier tone.