What synth did Tame Impala use on Feels Like We Only Go Backwards?

Kevin Parker used a Roland Juno-106 analog synthesizer as the main instrument for the pad sounds. This vintage polysynth from the 1980s is known for its warm, lush sound and was a key part of Parker's setup during the Lonerism sessions.

How to get Tame Impala's chorus sound on Feels Like We Only Go Backwards?

The chorus effect comes from a Roland Dimension D, which adds subtle stereo width and movement without the obvious 'seasick' warble of traditional chorus pedals. Parker used it subtly to create dimension and space in the mix.

What effects did Kevin Parker use on Feels Like We Only Go Backwards synths?

The main effects were a Roland Dimension D for chorus/width and an MXR Phase 90 for the swirling phaser movement. These were combined with Parker's layering techniques to create the dense, psychedelic pad textures.

How to recreate Tame Impala synth pads without vintage gear?

Start with any analog-modeled polysynth or plugin like the Arturia Jun-6 V, then add subtle chorus and slow phasing effects. The key is layering multiple parts with slight detuning and using gentle modulation rather than extreme settings.

Where did Tame Impala record Feels Like We Only Go Backwards?

Kevin Parker recorded the track at his home studio in Perth, Australia. He's known for his DIY approach, handling all the production, engineering, and mixing himself in his bedroom studio setup.

pads from "feels like we only go backwards" by tame impala

feels like we only go backwards

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Tone Profile

This sound features a dreamy, swirling synth pad with a chorus-laden, slightly detuned character, creating a psychedelic and immersive sonic texture. The tone is rich and full, with a subtle lo-fi quality that adds warmth and depth.

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Roland Juno-106(instrument)
Roland Dimension D(processing)
MXR Phase 90(processing)

The Story

Kevin Parker recorded this track at his home studio in Perth, using a Roland Juno-106 as the foundation for the pad sound. The signal was processed through a Roland Dimension D chorus unit and an MXR Phase 90 phaser to create the characteristic swirling, psychedelic texture. Parker is known for his meticulous layering approach, building dense soundscapes through multiple overdubbed synth parts.

Production Credits

Producer: Kevin Parker

Engineer: Kevin Parker

Recorded at: Kevin Parker's Home Studio (Perth, Australia)

Signal Chain

Instrument: Roland Juno-106Shop on Reverb

Processing: Roland Dimension DShop on Reverb, MXR Phase 90Shop on Reverb

Recreation Tips

Start with a basic sawtooth or square wave on a Roland Juno-106 or similar analog polysynth.
Add a subtle chorus effect using a Roland Dimension D or a similar plugin to create a lush, wide stereo image.
Introduce a slow phaser effect with an MXR Phase 90 to add movement and depth.
Experiment with subtle detuning and pitch modulation to create a slightly unstable and dreamy feel.
EQ the sound to taste, focusing on a warm, full low-end and a smooth high-end.
Add a touch of compression to glue the sound together and enhance its sustain.

Original Gear

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Substitutions & Recommendations

Arturia Jun-6 VPlugin Boutique$99-$199

Alternative to: Roland Juno-106

Accurate emulation of the Juno-106's analog oscillators and filter, capturing the warm sawtooth waves essential for this pad tone

Roland JU-06AShop on Reverb$349-$399

Alternative to: Roland Juno-106

Official Roland recreation using ACB modeling of the original Juno-106 circuitry, providing authentic analog character

Boss DC-2W Dimension CShop on Reverb$149-$179

Alternative to: Roland Dimension D

Waza Craft recreation of the SDD-320 Dimension D with the same subtle chorus modulation that creates width without obvious chorusing

MXR Phase 90Shop on Reverb$79-$99

Alternative to: MXR Phase 90

The original pedal is still manufactured and provides the same slow, smooth phasing effect used on the recording

Soundtoys MicroShiftPlugin Boutique$99-$129