TONEDB

bass guitar from “the less i know the better” by tame impala | ToneDB

the less i know the better

tame impala

bass guitar

90% ai confidence

Tone Profile

A punchy, round, and melodic bass tone with a distinct midrange presence and subtle drive. It's heavily compressed, providing a consistent and driving foundation for the track.

Signal Chain

Instrument: Hofner 500/1 '64 Reissue Bass Guitar with Pyramid Gold flatwound strings

Amp: Direct Input into Studio Preamp (e.g., Neve 1073, API 512c, or console channel strip)

Processing: Heavy Studio Compression (Urei 1176 / Teletronix LA-2A style), Parametric EQ (mid-frequency boost, high-pass filter), Subtle Saturation/Overdrive (from preamp gain or a light drive pedal), Optional: Gentle Phasing (MXR Phase 90 / EHX Small Stone style, very subtle if used)

Other: Played with a pick. The DI signal is primary. Potential blend with a mic'd amp (e.g., Selmer Treble'n'Bass 50 or Fender Bassman), but the DI character is dominant.

Recording Notes

  • The bassline is highly melodic and serves as a central hook in the song.
  • The tone is characterized by its strong fundamental, punchy midrange, and clear pick attack.
  • Heavy compression is crucial for the consistent level and sustain of the bass.
  • Kevin Parker likely utilized high-quality studio preamps and compressors during the recording of 'Currents'.
  • Extensive EQ was probably used in the mix to ensure the bass sits perfectly while remaining prominent.

Recreation Tips

  • Use a Hofner-style violin bass with flatwound strings.
  • Play with a pick, generally towards the bridge for more attack.
  • Prioritize a clean, high-quality DI signal path.
  • Apply significant compression; aim for a ratio of 4:1 to 8:1 with medium attack and release times, adjusting to taste.
  • Boost midrange frequencies (around 600Hz-1.5kHz) to achieve the characteristic punch and note definition.
  • Introduce subtle saturation or light overdrive for warmth and harmonics. Be careful not to make it overly distorted.
  • Use a high-pass filter (around 40-60Hz) to remove unnecessary sub-bass rumble and improve clarity.
  • If blending with an amp, ensure it complements the DI signal rather than overpowering it.

Sources