rhythm guitar from “swing, swing” by the all-american rejects | ToneDB
swing, swing
the all-american rejects
rhythm guitar
Tone Profile
A bright and punchy rhythm guitar tone with a good amount of distortion and clarity, fitting well in a pop-punk context. The sound is tight, aggressive, and sits perfectly in the mix.
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Production Credits
Producer: Clif Magness
Engineer: Allen Sides
Recorded at: Ocean Way Recording (Los Angeles, CA)
Signal Chain
Instrument: Gibson Les PaulShop on Reverb
Amp: Marshall JCM800Shop on Reverb
Microphone: Shure SM57Shop on Reverb
Processing: Ibanez Tube Screamer TS808Shop on Reverb
Recording Notes
- The guitar sound benefits from tight miking techniques and careful attention to gain staging to achieve a balance of aggression and clarity.
- The amp likely had its own distortion characteristics dialed in, with the Tube Screamer adding extra mid-range boost and sustain.
Recreation Tips
- Start with a Les Paul style guitar into a Marshall JCM800 amp.
- Use an Ibanez Tube Screamer with moderate drive to push the amp.
- Position a Shure SM57 close to the speaker cone.
- In your DAW, consider using EQ to carve out any muddiness and enhance the presence.
- A touch of compression can help even out the performance and add sustain.
Original Gear
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Substitutions & Recommendations
Alternative to: Gibson Les Paul
Provides the humbucker punch and sustain needed for this pop-punk tone at a budget-friendly price point
Alternative to: Marshall JCM800
Captures the JCM800's aggressive midrange character and high-gain saturation in a lower-wattage package
Alternative to: Marshall JCM800
Modern high-gain plugin that delivers the tight, aggressive Marshall-style distortion perfect for pop-punk rhythm work
Alternative to: Ibanez Tube Screamer TS808
Provides similar mid-range boost and amp-pushing characteristics as the TS808 for tightening up rhythm guitar tone
Alternative to: Shure SM57
Still the industry standard for recording guitar amps, capturing the aggressive midrange presence needed for this tone
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