bass guitar from “come together” by the beatles | ToneDB
come together
the beatles
bass guitar
85% ai confidence
Tone Profile
A deep, round, and heavily muted bass tone with a prominent, driving feel and significant low-end presence. The sound is defined by its percussive attack and quick decay due to muting techniques.
Signal Chain
Instrument: Rickenbacker 4001S Bass (1964)
Amp: Fender Bassman (Silverface)
Microphone: AKG D12
Processing: Fairchild 660 Compressor, Studer J37 Tape Saturation, Console EQ (EMI TG12345)
Other: Flatwound strings, played with a pick near the neck pickup, heavy palm muting or foam/cloth mute near the bridge.
Recording Notes
- Recorded at Abbey Road Studio Two.
- Heavy studio compression applied during tracking or mixing for sustain and thickness.
- The muted sound was a key component, achieved either mechanically or through playing technique.
- Likely recorded to a Studer J37 4-track or 8-track tape machine, contributing saturation.
- Close micing technique on the bass amplifier cabinet.
Recreation Tips
- Use a Rickenbacker-style bass if possible, otherwise any bass with neck pickup favoured.
- Equip the bass with flatwound strings.
- Employ heavy muting: use foam under the strings by the bridge or use aggressive palm-muting.
- Play with a pick, focusing attack near the neck.
- Use a compressor with moderate attack and release settings to smooth dynamics.
- Boost low-mids (around 200-400Hz) and roll off high frequencies significantly via EQ or tone knob.
- Aim for a clean tube amp sound with plenty of headroom.