bass guitar from “come together” by the beatles | ToneDB

come together

the beatles

bass guitar

85% ai confidence

Tone Profile

A deep, round, and heavily muted bass tone with a prominent, driving feel and significant low-end presence. The sound is defined by its percussive attack and quick decay due to muting techniques.

Signal Chain

Instrument: Rickenbacker 4001S Bass (1964)

Amp: Fender Bassman (Silverface)

Microphone: AKG D12

Processing: Fairchild 660 Compressor, Studer J37 Tape Saturation, Console EQ (EMI TG12345)

Other: Flatwound strings, played with a pick near the neck pickup, heavy palm muting or foam/cloth mute near the bridge.

Recording Notes

  • Recorded at Abbey Road Studio Two.
  • Heavy studio compression applied during tracking or mixing for sustain and thickness.
  • The muted sound was a key component, achieved either mechanically or through playing technique.
  • Likely recorded to a Studer J37 4-track or 8-track tape machine, contributing saturation.
  • Close micing technique on the bass amplifier cabinet.

Recreation Tips

  • Use a Rickenbacker-style bass if possible, otherwise any bass with neck pickup favoured.
  • Equip the bass with flatwound strings.
  • Employ heavy muting: use foam under the strings by the bridge or use aggressive palm-muting.
  • Play with a pick, focusing attack near the neck.
  • Use a compressor with moderate attack and release settings to smooth dynamics.
  • Boost low-mids (around 200-400Hz) and roll off high frequencies significantly via EQ or tone knob.
  • Aim for a clean tube amp sound with plenty of headroom.