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synth from “just like heaven” by the cure | ToneDB

just like heaven

the cure

synth

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Tone Profile

A bright, soaring, and iconic 80s analog-style string synth sound, rich with chorus and a touch of melancholy, defining the song's dreamy atmosphere.

Signal Chain

Instrument: Roland JX-8P Synthesizer

Amp: Direct Input (to mixing console)

Processing: Roland JX-8P Built-in Stereo Chorus, Studio Plate/Hall Reverb (e.g., Lexicon 224 or AMS RMX16 style), Subtle Stereo Delay

Other: The JX-8P's 'Soundtrack' preset (Patch I-34 or C4) is famously close to this sound and serves as an excellent starting point. Recorded direct to console.

Recording Notes

  • Recorded in 1987 at Studio Miraval, France, with co-producer David M. Allen for the album *Kiss Me, Kiss Me, Kiss Me*.
  • Keyboardist Lol Tolhurst primarily used a Roland JX-8P, an E-mu Emulator II, and a Yamaha DX7 on this album.
  • Synths were typically recorded directly into the mixing console and then to analog tape.
  • The JX-8P's rich DCOs (Digitally Controlled Oscillators) and its distinctive stereo chorus are central to its characteristic sound on this track.
  • The production features lush keyboard layering, contributing to the band's signature atmospheric sound of the era.

Recreation Tips

  • Start with a Roland JX-8P emulation (e.g., Roland Cloud JX-8P, Arturia JX-8 V) or a synth capable of similar DCO-based architecture.
  • Use two detuned sawtooth waves for the oscillators. The JX-8P's DCOs are key to its smooth yet present sound.
  • Emulate or use the 'Soundtrack' preset (often Patch I-34 or C4 on the JX-8P) as a reference. Adjust filter cutoff (around 60-75% open) and resonance (20-30%), with envelope modulation on the filter for movement.
  • A medium attack, full sustain, and medium release on the amplitude envelope (VCA) are typical for this string/pad sound.
  • The JX-8P's built-in stereo chorus is essential; use a high-quality stereo chorus effect if not using a JX-8P or its emulation, focusing on a lush, swirling character. The original had two modes.
  • Add a spacious plate or hall reverb (e.g., Valhalla VintageVerb, Lexicon PCM Native Reverb) to create depth and atmosphere.
  • A subtle stereo ping-pong or Haas delay can further enhance the stereo width and sense of space.

Sources