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synth from “don't you want me” by the human league | ToneDB

don't you want me

the human league

synth

90% ai confidence

Tone Profile

A bright, iconic 80s synth arpeggio with a shimmering, slightly detuned character and a distinct pluckiness, driving the song's infectious energy.

Signal Chain

Instrument: Roland Jupiter-4

Amp: Direct Input to mixing console (e.g., SSL SL 4000 E Series at Genetic Sound Studios)

Processing: Roland Jupiter-4 built-in Chorus/Ensemble, Studio Plate Reverb (e.g., EMT 140 or AMS RMX16), Subtle Tape Delay (e.g., Roland RE-201 Space Echo)

Other: Arpeggiator set to Up/Down mode, 16th notes, likely 1 or 2 octave range. VCOs likely set to sawtooth waves, possibly two slightly detuned. Filter cutoff moderately high with a quick attack and short decay on the VCF envelope to create a plucky sound.

Recording Notes

  • Synths were recorded directly into the mixing console, likely an SSL or Harrison desk at Martin Rushent's Genetic Sound Studios.
  • The Linn LM-1 drum machine provided the rhythmic backbone, with synths meticulously sequenced and synced, possibly using Roland's DCB interface or CV/Gate.
  • Producer Martin Rushent heavily influenced the sound, employing techniques like layering synth parts and precise automation.
  • Extensive use of the mixing console's EQ and dynamics processing to shape each synth layer.
  • Outboard effects such as plate reverbs (EMT 140, AMS RMX16) and potentially chorus units (Roland Dimension D) were key to the spacious, polished sound.

Recreation Tips

  • Use a synthesizer with a robust arpeggiator. Set it to an Up/Down pattern playing 16th notes at approximately 116 BPM.
  • Start with one or two sawtooth wave oscillators. If using two, slightly detune them for a thicker, chorused sound.
  • The filter cutoff should be relatively high to maintain brightness. Use a filter envelope with a fast attack, short decay, zero sustain, and short release to achieve the characteristic plucky sound.
  • Apply a rich chorus effect. Emulations of Roland's Juno chorus or the Dimension D are excellent choices.
  • Add a medium-decay plate or hall reverb. Ensure it adds space without muddying the arpeggio's clarity.
  • A subtle 8th or dotted 8th note delay can add depth, but keep it low in the mix.
  • Pay attention to the note range of the arpeggio; it typically spans one or two octaves.

Sources