rhythm guitar from “every breath you take” by the police | ToneDB
every breath you take
the police
rhythm guitar
Tone Profile
A clean, bright, and spacious arpeggiated guitar tone, defined by its subtle flanging/chorus modulation and compressed sustain, creating an iconic atmospheric and slightly melancholic sound.
Production Credits
Producer: The Police; Hugh Padgham
Engineer: Hugh Padgham
Recorded at: Air Studios (Montserrat)
Signal Chain
Instrument: 1961 Fender Telecaster Custom (modified with neck humbucker, hotter bridge pickup, and onboard preamp - bridge pickup likely used)
Amp: Roland Bolt 60 Combo Amp
Microphone: Shure SM57 (or similar dynamic microphone)
Processing: MXR Dyna Comp, Electro-Harmonix Electric Mistress Flanger, Maestro Echoplex EP-3 (for subtle delay)
Other: Arpeggiated fingerpicking or hybrid picking technique. Electric Mistress set for a slow, shimmering chorus-like effect (slow rate, moderate feedback/color, specific range setting). Telecaster's onboard preamp possibly engaged for added sustain and signal strength.
Recording Notes
- Recorded at AIR Studios, Montserrat, engineered by Hugh Padgham.
- The iconic arpeggiated guitar part was reportedly laid down in a single take by Andy Summers.
- The tone relies heavily on the interplay between the Telecaster's bright output, compression for sustain and evenness, and the distinctive shimmer from the Electric Mistress.
- The Echoplex likely added a subtle ambience and depth rather than a prominent delay effect.
- The Roland Bolt amp provided a clean, solid platform for the effects.
Recreation Tips
- Use a Telecaster-style guitar, favoring the bridge pickup for brightness and clarity.
- A compressor (like an MXR Dyna Comp) is essential early in your signal chain to achieve the necessary sustain and to even out the dynamics of the arpeggios.
- The Electro-Harmonix Electric Mistress is key for the signature modulation. Set the Rate slow, and adjust Color and Range to achieve a shimmering, chorus-like texture rather than an overt 'jet flange' sound.
- If a vintage Roland Bolt amp is unavailable, use a clean solid-state or tube amp with good headroom (e.g., Fender Deluxe Reverb, Roland JC-120, or another clean pedal platform amp).
- Practice the wide-interval arpeggio pattern meticulously. Fingerpicking or hybrid picking (pick and fingers) will help achieve the correct articulation and string separation.
- Add a touch of subtle tape-style delay (emulating an Echoplex EP-3) for space and depth. Keep the mix level low and feedback minimal.
- Consider engaging an onboard preamp or a clean boost if your Telecaster has one, or use a separate clean boost pedal for a bit more push and sustain if needed.
Original Gear
- Fender American Vintage II 1963 Telecaster(guitar)
- Roland Bolt 60 (Vintage)(amp)
- Fender '65 Deluxe Reverb Reissue (as an alternative amp)(amp)
- MXR M102 Dyna Comp Compressor(pedal)
- Electro-Harmonix Deluxe Electric Mistress XO Flanger(pedal)
- Catalinbread Belle Epoch Tape Echo (EP-3 style)(pedal)
- Shure SM57(mic)
Sources
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