rhythm guitar from “every breath you take” by the police | ToneDB

every breath you take

the police

rhythm guitar

95% ai confidence

Tone Profile

A clean, bright, and spacious arpeggiated guitar tone, defined by its subtle flanging/chorus modulation and compressed sustain, creating an iconic atmospheric and slightly melancholic sound.

Production Credits

Producer: The Police; Hugh Padgham

Engineer: Hugh Padgham

Recorded at: Air Studios (Montserrat)

Signal Chain

Instrument: 1961 Fender Telecaster Custom (modified with neck humbucker, hotter bridge pickup, and onboard preamp - bridge pickup likely used)

Amp: Roland Bolt 60 Combo Amp

Microphone: Shure SM57 (or similar dynamic microphone)

Processing: MXR Dyna Comp, Electro-Harmonix Electric Mistress Flanger, Maestro Echoplex EP-3 (for subtle delay)

Other: Arpeggiated fingerpicking or hybrid picking technique. Electric Mistress set for a slow, shimmering chorus-like effect (slow rate, moderate feedback/color, specific range setting). Telecaster's onboard preamp possibly engaged for added sustain and signal strength.

Recording Notes

  • Recorded at AIR Studios, Montserrat, engineered by Hugh Padgham.
  • The iconic arpeggiated guitar part was reportedly laid down in a single take by Andy Summers.
  • The tone relies heavily on the interplay between the Telecaster's bright output, compression for sustain and evenness, and the distinctive shimmer from the Electric Mistress.
  • The Echoplex likely added a subtle ambience and depth rather than a prominent delay effect.
  • The Roland Bolt amp provided a clean, solid platform for the effects.

Recreation Tips

  • Use a Telecaster-style guitar, favoring the bridge pickup for brightness and clarity.
  • A compressor (like an MXR Dyna Comp) is essential early in your signal chain to achieve the necessary sustain and to even out the dynamics of the arpeggios.
  • The Electro-Harmonix Electric Mistress is key for the signature modulation. Set the Rate slow, and adjust Color and Range to achieve a shimmering, chorus-like texture rather than an overt 'jet flange' sound.
  • If a vintage Roland Bolt amp is unavailable, use a clean solid-state or tube amp with good headroom (e.g., Fender Deluxe Reverb, Roland JC-120, or another clean pedal platform amp).
  • Practice the wide-interval arpeggio pattern meticulously. Fingerpicking or hybrid picking (pick and fingers) will help achieve the correct articulation and string separation.
  • Add a touch of subtle tape-style delay (emulating an Echoplex EP-3) for space and depth. Keep the mix level low and feedback minimal.
  • Consider engaging an onboard preamp or a clean boost if your Telecaster has one, or use a separate clean boost pedal for a bit more push and sustain if needed.

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