drums from “roxanne” by the police | ToneDB
roxanne
the police
drums
75% ai confidence
Tone Profile
The drums have a tight, dry sound with a focused attack, characteristic of 1970s/80s rock recordings, but with more upper mid frequencies emphasized. The overall vibe is punchy and controlled, fitting perfectly within the band's signature reggae-influenced rock sound.
Production Credits
Producer: The Police
Engineer: Nigel Gray
Recorded at: Surrey Sound Studios (Leatherhead, Surrey)
Signal Chain
Instrument: Tama Superstar
Microphone: AKG D12
Recording Notes
- Stewart Copeland is known for his distinct, crisp drumming style and tight control over the kit, using rimshots and cross-sticking to create a unique sound.
- The drum sound features a close-mic setup on individual drums to capture the direct attack and minimize spill, ensuring clarity and separation.
- Compression applied to each drum element helps control the dynamics and sustain, creating a consistent and punchy sound.
- Short, tight room reverb or ambience added to the overall drum mix to create a sense of space without washing out the clarity and impact.
- EQ is used to shape the individual drum tones, focusing on enhancing the attack and presence of the snare, kick, and toms to cut through the mix effectively.
Recreation Tips
- Use a Tama Superstar drum kit or similar maple-shelled kit for a comparable tonal foundation.
- Opt for coated drumheads on the snare and toms to dampen sustain and focus the attack.
- Tune the drums slightly higher to achieve a tight, resonant sound with a clear fundamental pitch.
- Experiment with close-miking techniques, placing microphones a few inches from the drumheads, to capture the direct sound and minimize bleed.
- Apply compression to individual drum tracks to control dynamics and enhance sustain, aiming for a punchy and consistent sound.
- Use a short, tight room reverb or plate reverb to add a subtle sense of space and ambience without washing out the clarity of the drums.
- Apply EQ to enhance the attack and presence of the snare, kick, and toms, focusing on frequencies between 2kHz and 5kHz for added cut and clarity.
- Experiment with gate settings to further tighten up the drum sounds, reducing sustain and minimizing unwanted noise or spill.
Recommended Gear
- Tama Superstar(drums)
- AKG D12(mic)
- Shure SM57(mic)
- Neumann U87(mic)
Sources
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