synth from “spirits in the material world” by the police | ToneDB
spirits in the material world
the police
synth
75% ai confidence
Tone Profile
This synth sound is characterized by its bright, slightly metallic, and percussive quality, providing a rhythmic backbone to the song. It has a distinctive pulse and a crisp attack that cuts through the mix.
Production Credits
Producer: Hugh Padgham
Engineer: Hugh Padgham
Recorded at: AIR Studios, Montserrat
Signal Chain
Instrument: Oberheim OB-X
Recording Notes
- The synth part was a key element of the song's texture, providing both melodic and rhythmic interest.
- The exact settings of the Oberheim OB-X are unknown, but the sound suggests a combination of oscillators with a resonant filter and a fast envelope for the attack.
- The signal may have been lightly compressed during mixing to even out the dynamics.
Recreation Tips
- Start with an Oberheim OB-X or a similar analog synthesizer capable of producing bright, harmonically rich tones.
- Use a sawtooth or pulse wave as the primary oscillator, and experiment with detuning a second oscillator for a thicker sound.
- Apply a resonant low-pass filter and modulate it with a fast envelope to create the percussive attack.
- Adjust the filter cutoff and resonance to achieve the desired brightness and metallic edge.
- Slightly compress the synth signal to enhance its presence and punch.
Recommended Gear
- Oberheim OB-X(synth)
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