synth from “spirits in the material world” by the police | ToneDB

spirits in the material world

the police

synth

75% ai confidence

Tone Profile

This synth sound is characterized by its bright, slightly metallic, and percussive quality, providing a rhythmic backbone to the song. It has a distinctive pulse and a crisp attack that cuts through the mix.

Production Credits

Producer: Hugh Padgham

Engineer: Hugh Padgham

Recorded at: AIR Studios, Montserrat

Signal Chain

Instrument: Oberheim OB-X

Recording Notes

  • The synth part was a key element of the song's texture, providing both melodic and rhythmic interest.
  • The exact settings of the Oberheim OB-X are unknown, but the sound suggests a combination of oscillators with a resonant filter and a fast envelope for the attack.
  • The signal may have been lightly compressed during mixing to even out the dynamics.

Recreation Tips

  • Start with an Oberheim OB-X or a similar analog synthesizer capable of producing bright, harmonically rich tones.
  • Use a sawtooth or pulse wave as the primary oscillator, and experiment with detuning a second oscillator for a thicker sound.
  • Apply a resonant low-pass filter and modulate it with a fast envelope to create the percussive attack.
  • Adjust the filter cutoff and resonance to achieve the desired brightness and metallic edge.
  • Slightly compress the synth signal to enhance its presence and punch.

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