lead guitar from “paint it, black” by the rolling stones | ToneDB

paint it, black

the rolling stones

lead guitar

75% ai confidence

Tone Profile

A bright, jangly guitar sound with a slightly harsh edge, reminiscent of a sitar. It has a distinct mid-range focus and a slightly compressed character.

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The Story

Keith Richards recorded the lead guitar part for "Paint It, Black" using a Gretsch Committee guitar through a Vox AC30 amplifier at RCA Studios in Hollywood. The bright, jangly tone with its distinctive sitar-like qualities comes from the Gretsch's unique pickup characteristics and the AC30's naturally compressed, midrange-focused sound. Producer Andrew Loog Oldham and engineer Dave Hassinger captured the performance with a Neumann U67 microphone.

Production Credits

Producer: Andrew Loog Oldham

Engineer: Dave Hassinger

Recorded at: RCA Studios (Hollywood)

Recreation Tips

  • Use a guitar with single-coil pickups and a bright tone, such as a Gretsch or Fender.
  • Dial in a clean amp sound with a slight mid-range boost.
  • Experiment with compression to add sustain and even out the dynamics.
  • Consider using a touch of tremolo or vibrato to add movement to the sound.
  • If you want to further emulate the sitar-like quality, try using a fuzz pedal with a pronounced upper-midrange.

Original Gear

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Substitutions & Recommendations

Alternative to: Gretsch Committee

Hollow body Gretsch with Filter'Tron pickups that deliver the same bright, jangly tone with pronounced midrange character as the original Committee

Alternative to: Gretsch Committee

Budget hollow body option with P90-style pickups that can approximate the bright, cutting tone of the original Gretsch

Alternative to: Vox AC30

Modern reissue of the classic AC30 with the same EL84 power tubes and characteristic chime and compression that defined the original tone

Alternative to: Vox AC30

Digital emulation of the AC30's distinctive midrange focus and natural tube compression for home recording

Alternative to: Neumann U67

Faithful recreation of the U67's smooth midrange response and tube warmth that captured the original amp tone

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