What bass guitar did Mani use on I Am the Resurrection?

Mani used a Fender Precision Bass on "I Am the Resurrection." The P-Bass's characteristic split-coil pickup design provides the punchy midrange tone that cuts through the dense mix of the song.

How to get Stone Roses bass tone on I Am the Resurrection?

Use a Fender Precision Bass through an Ampeg SVT amp with slight tube overdrive. Blend a direct input signal with a mic'd cabinet for clarity and warmth. Focus on midrange frequencies to cut through without muddiness.

What amp did the Stone Roses use for bass recording?

The Stone Roses used an Ampeg SVT amplifier for the bass recording on "I Am the Resurrection." The SVT's tube saturation provides the warm, slightly overdriven character heard on the track.

Who produced Stone Roses I Am the Resurrection?

John Leckie produced "I Am the Resurrection" by The Stone Roses. Leckie also served as the engineer and recorded the album at Battery Studios in London.

What microphone was used on Stone Roses bass?

An AKG D12 microphone was used to record the bass cabinet on "I Am the Resurrection." The D12 was known for its excellent low-frequency response and was commonly used for bass recording in that era.

bass guitar from "i am the resurrection" by the stone roses

i am the resurrection

the stone roses

bass guitar

75% ai confidence

Tone Profile

A punchy and warm bass tone with a slightly overdriven edge, providing a solid rhythmic foundation while cutting through the mix with clarity.

Shop This Rig

ToneDB may earn a commission from purchases made through these links.

Fender Precision Bass(instrument)
Ampeg SVT(amp)
AKG D12(microphone)

The Story

Mani's bass on "I Am the Resurrection" was tracked using a Fender Precision Bass through an Ampeg SVT amplifier, recorded at Battery Studios in London with producer John Leckie. The signal was likely captured as a blend of direct input and a mic'd cabinet using an AKG D12 microphone. The slight overdrive character comes from pushing the SVT into its natural tube saturation.

Production Credits

Producer: John Leckie

Engineer: John Leckie

Recorded at: Battery Studios, London

Signal Chain

Instrument: Fender Precision BassShop on Reverb

Amp: Ampeg SVTShop on Reverb

Microphone: AKG D12Shop on Reverb

Recreation Tips

Start with a Fender Precision Bass for its characteristic mid-range punch.
Use an Ampeg SVT amplifier or a plugin emulation of it.
Blend a direct input signal with a mic'd cabinet signal to achieve a balance of clarity and warmth.
Use a dynamic microphone like an AKG D12 or a modern equivalent such as an AKG D112 on the cabinet.
Add a touch of overdrive, either from the amp or a pedal, to give the bass some edge.
EQ to taste, focusing on the low-mid frequencies to give the bass presence without muddiness.

Original Gear

ToneDB may earn a commission from purchases made through these links.

Fender Precision BassShop on Reverb(guitar)
Ampeg SVTShop on Reverb(amp)
AKG D12Shop on Reverb(mic)

Substitutions & Recommendations

Fender Player Precision BassShop on Reverb$700-$800

Alternative to: Fender Precision Bass

Modern version of the classic P-Bass with the same split-coil pickup design that gives that punchy midrange character heard on the track

Ampeg SVT-CLShop on Reverb$2,200-$2,500

Alternative to: Ampeg SVT

Current production all-tube SVT head that delivers the same warm overdrive and power tube saturation as the vintage model

IK Multimedia Ampeg SVX 2Plugin Boutique$150-$200

Alternative to: Ampeg SVT

Official Ampeg plugin emulation that captures the SVT's tube warmth and allows easy DI/cab blending for home recording

AKG D112Shop on Reverb$200-$250

Alternative to: AKG D12

Modern successor to the D12 with similar low-frequency response and punch for capturing bass cabinet tone

Squier Classic Vibe '70s Precision BassShop on Reverb$400-$450