rhythm guitar from “last nite” by the strokes | ToneDB

last nite

the strokes

rhythm guitar

95% ai confidence

Tone Profile

A bright, slightly gritty, and articulate rhythm guitar tone with a distinct lo-fi edge, driven by P-90 style pickups into a Fender amp with light overdrive. It's punchy and direct, cutting through the mix without being overly saturated.

Signal Chain

Instrument: 1995 Epiphone Riviera with Gibson P-94 pickups (neck pickup selected)

Amp: Fender Hot Rod DeVille 2x12 (Clean Channel)

Microphone: Shure SM57

Processing: Visual Sound Jekyll & Hyde V1 (Overdrive side)

Other: Mic placed close to the grille, slightly off-center of one speaker cone. The Jekyll & Hyde's overdrive channel was used with the gain set relatively low and level boosted to push the amp.

Recording Notes

  • Recorded by Gordon Raphael, who aimed for a raw, live, and direct sound with minimal studio processing.
  • Guitars were often recorded with little to no compression during tracking to maintain dynamics.
  • The album 'Is This It' was recorded to an MCI JH16 2-inch 16-track tape machine, contributing to its characteristic warmth and slight saturation.
  • The production philosophy focused on capturing the band's energetic performance authentically.
  • Nick Valensi's guitar parts are typically panned to one side, with Albert Hammond Jr.'s guitar on the other, creating a distinct stereo image.

Recreation Tips

  • Use the neck pickup of a guitar equipped with P-90 or P-94 style pickups for warmth and clarity.
  • Set your Fender-style amp to its clean channel, with volume pushed to the edge of breakup (e.g., Volume 3-5). EQ settings: Treble around 6-7, Mids 4-5, Bass 4-5, Presence around 5.
  • Use a light overdrive pedal (like the Jekyll & Hyde's OD side). Set the Drive knob low (around 9-10 o'clock), Tone knob to add brightness (around 1-2 o'clock), and Level knob to boost the signal into the amp.
  • Avoid excessive low-end; the tone is characteristically trebly and mid-focused but not thin or harsh.
  • Play with a precise and somewhat staccato picking technique for the main riff to capture the rhythmic feel.
  • Experiment with mic placement; a Shure SM57 close to the speaker cone, slightly off-axis, is a good starting point.