TONEDB

lead guitar from “this is the day” by the the | ToneDB

this is the day

the the

lead guitar

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Tone Profile

A bright, shimmering, and articulate lead guitar tone, defined by its clean jangle, prominent stereo chorus, and precise melodic phrasing. It carries a melancholic yet uplifting quality, cutting through the mix with clarity.

Signal Chain

Instrument: Rickenbacker 330

Amp: Roland JC-120 Jazz Chorus

Microphone: Shure SM57 or Neumann U87

Processing: Compressor (e.g., MXR Dyna Comp or Boss CS-2, placed before the amp), Roland JC-120 built-in Stereo Chorus, Subtle studio delay (e.g., emulating an AMS RMX16 or Lexicon PCM series), Studio plate reverb (e.g., emulating an EMT 140)

Other: Likely recorded using the JC-120's stereo outputs for width, or double-tracked. Precise, articulate picking style.

Recording Notes

  • The lead guitar part was performed by Johnny Marr.
  • The tone is exceptionally clean, relying on the Rickenbacker's natural brightness and the JC-120's transparent sound.
  • The Roland JC-120's built-in stereo chorus is a crucial element, providing the signature shimmer and movement.
  • Compression was used to even out dynamics and enhance sustain for the melodic lines.
  • The guitar part is mixed clearly, sitting on top of the arrangement without being overpowering.
  • Subtle delay and reverb add space and depth without muddying the core tone.

Recreation Tips

  • Use a bright-sounding guitar, ideally a Rickenbacker. A Telecaster or Jaguar with single-coil pickups can also work.
  • A Roland JC-120 (or a quality emulation) is highly recommended for its clean tone and iconic stereo chorus.
  • If not using a JC-120, use a very clean amp (like a Fender Twin Reverb) and a high-quality stereo chorus pedal (e.g., Boss CE-2W, TC Electronic SCF).
  • Place a compressor pedal early in your chain (before the amp or chorus) to achieve smooth sustain and a percussive attack.
  • Dial in the chorus to be lush but not overpowering; the JC-120's chorus is often set to a moderate speed and depth.
  • Add a short, subtle delay (80-150ms) and a touch of plate reverb for ambience.
  • Focus on clean, precise picking. A lighter pick gauge might help achieve the articulate attack.
  • Consider recording your part in stereo or double-tracking it and panning slightly for width.

Sources