piano from “i'm waiting for the man” by the velvet underground | ToneDB
i'm waiting for the man
the velvet underground
piano
Tone Profile
The piano tone is raw and slightly detuned, with a percussive attack that cuts through the mix. It possesses a stark, almost unsettling quality, fitting the song's gritty urban narrative.
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The Story
The piano on "I'm Waiting for the Man" was recorded during the Velvet Underground's sessions at Scepter Studios in New York with producer Tom Wilson. The recording features an upright piano captured with close miking, likely positioned near the hammers to emphasize the percussive attack. The piano appears slightly detuned and was recorded in a relatively dry acoustic environment, contributing to its stark, raw character that perfectly complements the song's urban narrative.
Production Credits
Producer: Tom Wilson
Engineer: Unknown
Recorded at: Scepter Studios, New York
Signal Chain
Instrument: Upright PianoShop on Reverb
Microphone: Neumann U67Shop on Reverb
Recreation Tips
- Use an upright piano sample or recording for authenticity.
- If using a sampled piano, consider slightly detuning it to match the original's character.
- Use a close microphone position focused on the hammers to capture the percussive attack.
- Avoid excessive reverb or effects to maintain the dry, direct sound.
Original Gear
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- Upright PianoShop on Reverb(keyboard)
- Neumann U67Shop on Reverb(mic)
Substitutions & Recommendations
Alternative to: Neumann U67 microphone
Faithful recreation of the U67's tube warmth and presence, perfect for capturing the same percussive piano attack with vintage character
Alternative to: Close-miked upright piano
Sampled upright piano with close mic positions and built-in detuning controls to recreate that slightly off-pitch, raw character
Alternative to: Upright piano recording setup
Dynamic mic that can handle the percussive transients while providing a dry, direct sound similar to the original recording approach
Alternative to: Detuned upright piano
Includes multiple upright piano samples with microtuning capabilities and close mic positions to match the original's percussive, slightly detuned character
Sources
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