lead guitar from “867-5309/jenny” by tommy tutone | ToneDB

867-5309/jenny

tommy tutone

lead guitar

85% ai confidence

Tone Profile

A bright, punchy, and jangly early 80s power-pop guitar tone with a clean-to-lightly-driven character, perfect for cutting through the mix with its iconic riff.

Signal Chain

Instrument: Fender Stratocaster (likely a 1960s model, bridge or bridge/middle pickup)

Amp: Music Man HD-130 Reverb (2x12 combo or head with matching cabinet)

Microphone: Shure SM57 (close-mic'd, possibly slightly off-axis)

Processing: Light studio compression (e.g., Urei 1176 or dbx 160), Subtle spring reverb (from the Music Man amp)

Other: The key is the interaction between the Strat's single coils and the punchy clean headroom of the Music Man amp, set for a mostly clean tone with slight breakup when played hard.

Recording Notes

  • The guitar part, played by James Keller, is very prominent and carries the main melodic hook of the song.
  • The tone is articulate and not overly saturated, allowing individual notes of the riff to ring out clearly.
  • Recorded at The Plant Studios in Sausalito, California.
  • The main riff is likely single-tracked for punch, though some fills or the solo might have subtle doubling or effects.
  • The overall production is characteristic of early 1980s new wave and power pop.

Recreation Tips

  • Use a Stratocaster-style guitar, selecting the bridge pickup or the bridge/middle combination for maximum brightness and twang.
  • Aim for an amp tone that is mostly clean but has the ability to break up slightly when you dig in with your picking. A Music Man HD-130 is ideal; Fender Twin Reverb or Deluxe Reverb are good alternatives.
  • Set amp EQ to be bright but not harsh; a healthy amount of treble and upper mids.
  • Apply light compression to even out dynamics and add a bit of percussive snap to the notes.
  • Use a touch of spring reverb from the amp. For more shimmer, a very subtle chorus (like a Boss CE-1 or CE-2) can be experimented with, but keep it minimal for the main riff.
  • For the solo or lead fills, a short slapback delay (50-100ms) can add depth.
  • Focus on precise, alternate picking to nail the rhythmic feel of the iconic riff.