lead guitar from “867-5309/jenny” by tommy tutone | ToneDB
867-5309/jenny
tommy tutone
lead guitar
85% ai confidence
Tone Profile
A bright, punchy, and jangly early 80s power-pop guitar tone with a clean-to-lightly-driven character, perfect for cutting through the mix with its iconic riff.
Signal Chain
Instrument: Fender Stratocaster (likely a 1960s model, bridge or bridge/middle pickup)
Amp: Music Man HD-130 Reverb (2x12 combo or head with matching cabinet)
Microphone: Shure SM57 (close-mic'd, possibly slightly off-axis)
Processing: Light studio compression (e.g., Urei 1176 or dbx 160), Subtle spring reverb (from the Music Man amp)
Other: The key is the interaction between the Strat's single coils and the punchy clean headroom of the Music Man amp, set for a mostly clean tone with slight breakup when played hard.
Recording Notes
- The guitar part, played by James Keller, is very prominent and carries the main melodic hook of the song.
- The tone is articulate and not overly saturated, allowing individual notes of the riff to ring out clearly.
- Recorded at The Plant Studios in Sausalito, California.
- The main riff is likely single-tracked for punch, though some fills or the solo might have subtle doubling or effects.
- The overall production is characteristic of early 1980s new wave and power pop.
Recreation Tips
- Use a Stratocaster-style guitar, selecting the bridge pickup or the bridge/middle combination for maximum brightness and twang.
- Aim for an amp tone that is mostly clean but has the ability to break up slightly when you dig in with your picking. A Music Man HD-130 is ideal; Fender Twin Reverb or Deluxe Reverb are good alternatives.
- Set amp EQ to be bright but not harsh; a healthy amount of treble and upper mids.
- Apply light compression to even out dynamics and add a bit of percussive snap to the notes.
- Use a touch of spring reverb from the amp. For more shimmer, a very subtle chorus (like a Boss CE-1 or CE-2) can be experimented with, but keep it minimal for the main riff.
- For the solo or lead fills, a short slapback delay (50-100ms) can add depth.
- Focus on precise, alternate picking to nail the rhythmic feel of the iconic riff.