What guitar did Vito Bratta use on White Lion Wait?

Vito Bratta used a Kramer Baretta guitar for the lead parts on "Wait." The Baretta featured high-output humbucker pickups that were ideal for the song's soaring lead tones and fast technical passages.

What amp did White Lion use for Wait guitar tone?

White Lion used a Marshall JCM800 amplifier for the lead guitar sound on "Wait." The JCM800's high-gain capabilities and midrange presence were essential for achieving the song's powerful, cutting lead tone.

How to get White Lion Wait guitar sound?

To recreate the "Wait" lead tone, use a high-output humbucker guitar through a Marshall JCM800 or similar high-gain amp. Add a Tube Screamer for extra sustain and tightness, then apply chorus and delay effects for the characteristic 80s shred sound.

What effects did Vito Bratta use on Wait?

The lead guitar on "Wait" features chorus (likely Boss CE-1) and delay effects, along with an Ibanez TS808 Tube Screamer for overdrive boost. These effects create the song's distinctive soaring, melodic quality and add depth to the lead parts.

Who produced White Lion Wait?

"Wait" was produced by Michael Wagener, who also served as engineer on the track. Wagener was known for his work with many 80s metal and hard rock bands and recorded the song at Amigo Studios in Los Angeles.

lead guitar from "wait" by white lion

wait

white lion

lead guitar

75% ai confidence

Tone Profile

The lead guitar tone is a high-gain, shred-oriented sound with a touch of chorus and delay, creating a soaring and slightly ethereal vibe. It's designed for melodic solos and fast, technical passages.

Shop This Rig

ToneDB may earn a commission from purchases made through these links.

Kramer Baretta(instrument)
Marshall JCM800(amp)
Shure SM57(microphone)
Ibanez TS808(processing)
Boss CE-1(processing)
Roland Dimension D(processing)

The Story

The lead guitar tone on White Lion's "Wait" was created by Vito Bratta using a Kramer Baretta through a Marshall JCM800 amplifier. Producer Michael Wagener recorded the track at Amigo Studios in Los Angeles, likely using close-mic'd techniques. The soaring quality comes from the combination of high-output humbuckers, Marshall's signature midrange presence, and the addition of chorus and delay effects during tracking or mixing.